Two framed silk needle works. Provenance: Edwin Dun b. July 19, 1848 & d. May 15, 1931 was a rancher from Ohio who was employed as an o-yatoi gaikokujin in Hokkaid
Inuit Eskimo carving Manasi Akpaliapik 1955 Toronto alabaster Anger intended as one of series of twelve commissioned figures depicting different emotions – 2 completed. pedestal ht. 30in. Provenance: Northwest Company Toronto, Canada, figure ht. 15 1/2in.
19th century school sampler Jane Dixon Aged 11 Years 1826, The Grave there is a calm for those who weep a rest for weary pilgrims found they softly tie and sweetly sleep low in the ground, 17 x 16.
Seven art glass pieces, six color glass stems to include hand-blown green glass pitcher and vase, large hand blown blue vase, oil lamp, vase, and pitcher along with an etched glass vase.
Federal candlestand with tip top having turned shaft on tripod base. ht. 28 in. top: 15 x 21 1/2 Provenance: Property from The Estate of W. Scott Van Alstyne of Essex, Connecticut.
After Salvador Dali 1904-1989 colored etching and aquatint Combat de Cavaliers signed lower right Dali and initialed lower left E.A. plate size 8 1/2 x 13
Three primitive tables to include a Federal drop leaf table and two primitive tables each with drawer, primitive table, ht. 25 in., top 15 1/2 x 23 1/2 in., drop leaf ht. 27 1/2 in., top 33 x 33.
Currier & Ives The Celebrated Four in Hand Stallion Team Superb and His Three Sons large folio hand-colored lithograph after John Cameron published in New York by Currier & Ives, 1875 20 3/4 x 28 1/2 sight size Provenance: Property from Credit Suisse’s Americana Collection
Group of five posters to include Look Who’s Listening Seagrams, The War is Not Over Until He Says So Manufacturers and Traders Trust Co., Zoe Caldwell, Master Class signed poster, Helander Gallery poster, and Raf Ball poster.
