A Pair of Giacometti Style Polished Bronze Andirons
unmarked
height 14 inches, width 11 inches, depth 3 inches
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
A Pair of Giacometti Style Polished Bronze Andirons
unmarked
height 14 inches, width 11 inches, depth 3 inches
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Alan Rath (American 1959 – 2020)
“Optical Cylinder IV”, 2008
Acrylic, aluminum, polypropylene, G-10, custom electronics, CRT
65″ x 24″ x 22″
Provenance: Purchased from Bryce Wolkowitz Gallery, New York
Alex Hartley (British b.1963)
“Outlook Amazon”, 2013
Giclee print on 310 g.s.m acid free Baryta paper, MDF, plaster and brass rod in powder coated aluminum frame
24″ x 45″ x 5 1/2″
Provenance: Purchased from Victoria Miro, January 15, 2014 (£7,200)
Susan Harnett (American b.1940)
“September 29, 1998, #5″
Charcoal on paper
Signed upper left SH
18″ x 24″
Provenance: Purchased from Danese Gallery ($2,750)”
Susan Harnett (American b.1940)
“September 27, 1998, #2″
Charcoal on paper
Signed upper right SH
18″ x 24”
Provenance: Purchased from Danese Gallery ($2,750)
Susan Harnett (American b.1940)
“January 18, 1999, #1″
Charcoal on paper
Signed lower right SH
18″ x 24”
Provenance: Purchased from Danese Gallery ($2,750)
Susan Harnett (American b.1940)
“January 2, 1998, #2″
Charcoal on paper
Signed upper left SH
18″ x 24”
Provenance: Purchased from Danese Gallery ($2,750)
Wang Tiande (Chinese b.1960)
“Digital Series No.4 C07″, 2004
Chinese ink on paper and cigarette burns
Signed and dated lower left Wang Tiande 2004, original label on verso
52 3/4″ x 25 3/4”
Provenance: Purchased from Michael Goedhuis, October 23, 2006 ($20,000)
Iran do Espirito Santo (Brazilian b.1963)
“Twist 3B”, 2009
Pencil on photogram
Signed and dated on verso
12″ x 8″
Provenance: Sean Kelly Gallery, May 5, 2010
Rachel Hovnanian (American b.1959)
“Having It All”, 2010
Archival digital print on watercolor paper, edition 3/5
22″ x 32″
Provenance: Purchased from Loretta Howard Gallery, January 15, 2011 (£1,545)
Rachel Hovnanian (American b.1959)
“Size 0″, 2010
Archival digital print on watercolor paper, edition 3/5
32″ x 26”
Provenance: Purchased from Loretta Howard Gallery, January 15, 2011 (£1,545)
James Casebere (American b.1953)
“Bed Upturning its Belly”, 1976
Vintage gelatin silver print, edition 1/10
Signed and dated on verso J Casbere 1976
16″ x 20″
Provenance: Purchased from Sean Kelly Gallery, January 15, 2011 ($21,000)
Richard Hamilton (British 1922 – 2011)
“The Annunciation”, 2005
Inkjet digital print, edition 48/60
Signed lower right R Hamilton, titled lower left
17″ x 17″
Provenance: Purchased from Alan Cristea Gallery, London, January 9, 2008 (£9,000)
Two: Emma Sergeant (British b.1959)
To include, “Dolphin Series No.4″, June 1998
Conte crayon on paper
Initialed and dated lower right EM98
19 1/2″ x 17”
“Dolphin Series No.13″ 1998
Conte crayon on paper
Initialed and dated lower left EM97
19 1/2″ x 17”
Provenance: The Fine Art Society PLC, London
Kinke Kooi (Dutch b.1961)
“Female View”, 2010
Acrylic paint, graphite on paper
Signed on verso
36″ x 26″
Provenance: Purchased from Feature Inc. May 1, 2011
Nadia Leger-Khodasevich (Russian Federation 1904 – 1982)
“Composition Abstraite”, 1923
Watercolor, pencil on paper
Signed lower right and dated
8 1/4″ x 11 1/2″
Provenance: Purchased from Art Moderne, Paris, June 8, 2011 ($13,740)
L.C. Armstrong (American b.1954)
“Lone Red Poppy”, 2009
Acrylic bomb fuse under resin
Signed on verso L.C. Armstrong
20″ x 20″
Provenance: Marlborough Gallery, New York
Robert Motherwell (American 1915 – 1991)
“Roots of Abstract in America 1910 – 1930″
Lithograph, edition 46/100
Signed lower right Motherwell
22 1/4″ x 17”
Frank DuMond (American 1865 – 1951)
Mural with Angel Figures
Oil on canvas
Unsigned
19 1/2″ x 64″
Provenance: originally from Dumon Estate sold at Nadeau’s Auction Gallery 10/21/2006
Dexter Dalwood (British b.1960)
The Thought Of What America Would Be Like If The Classics Had A Wide Circulation, 2009
Screenprint with collage and spray paint on paper, edition 17/25
Signed lower right Dexter Dalwood 2009
16″ x 10 3/4″
Peter Doig (British b.1959)
Untitled, 2013
Aquatint etching, edition 8/20
Initialed lower right PD
13 7/8″ x 9 7/8″
Provenance: Purchased from Two Palms Gallery, June 25, 2019 (2,747 GBP)
Robert Rauschenberg (American 1925 – 2008)
“Cover for the Magazine of the Miami Herald” Dec. 30, 1979
Collage, offset lithograph, edition 11/100
Signed and dated upper right Rauschenberg 11/100 ’79
12 1/2″ x 21 1/2″
Firooz Zahedi (b.1949)
Collages from Sketchbook Print, 2000
Mixed media collage
Signed and dated lower right Firooz Zahedi 2000
24″ x 17″
Provenance: Purchased from Homer Gallery, December 12, 2014 (4,295 GBP)
R. Kenton Nelson (American b.1954)
“Pitchfork”, 2005
Oil on canvas
Signed lower left R. Kenton Nelson
30″ x 15″
Provenance: Purchased from Salzburg Gallery, August 17, 2005 ($11,000)
R. Kenton Nelson (American b.1954)
“Digging and Delving”, 2005
Oil on canvas
Signed lower right R. Kenton Nelson
18″ x 24″
Provenance: Purchased from Salzburg Gallery, August 17, 2005 ($11,000)
Julian Lethbridge (b.1947)
Suite of Four Prints to Accompany What the End is For by Jorie Graham, 2014
“I.Red”, “II.Orange”, “III. Violet”, “IV. Gray”
Lithographs, edition 6/30
18 1/2″ x 15 1/2″ folio size
Provenance: Purchased from Arion Press, 2014 (£2,500)
Five: Thomas Allen (American b.1963)
“Knockout”, “Loaded”, “Horseplay”, “Distraction”, “Mate”, 2006
Chromogenic prints
Signed and dated on verso Thomas Allen 2006
20″ x 24″
Provenance: Purchased from Foley Gallery, March 4, 2007
Five: Thomas Allen (American b.1963)
“Fury”, “Breathtaking”, “Wish”, “Pounce”, “Hindsight”, 2006
Chromogenic prints
Signed and dated on verso Thomas Allen 2006
20″ x 24″
Provenance: Purchased from Foley Gallery, March 4, 2007