Pair of French Montereau Majolica Urns having mounted swan handles and brass sphinx and lion feet ending in claw feet, height 14 inches, width 6 1/2 inches.
Two Japanese Ceramic Blue and White Garden Seats, Tsutsumi Taiko drum form having rope and tassel form with owl and floral motif, along with blue and white garden seat, having bird and foliate motif, height of both 19 inches, diameter 10 inches.
Three Piece Lot, to include pair of Mission oak armchairs, height 36 inches, width 25 inches, depth 18 inches along with a small mission oak desk, height 31 inches, top 20 x 42, no pulls.
Chinese Two Panel Folding Screen, each panel having hardwood frame, two carved panels and three reverse paintings on glass, panels depicting figures and scholars. height 67 1/2 inches, each panel width 13 1/4 inches, total width 26 1/2 inches.
Egyptian Revival Inlaid Throne Chair, having metal and mother of pearl inlaid back and arms, back inlaid with flowers and birds, animal heads and paw feet, height 40 inches, width 23 inches, depth 24 inches. look up
Egyptian Revival Settee having carved inlaid birds, lion arm supports, and animal head legs ending in paw feet, with a woven seat and custom cushion, height 36 inches, length 55 inches, depth 26 inches.
Egyptian Revival Ebonized Settee, having pierced, carved back and arm supports with caned seats and paw feet, height 37 inches, length 49 inches, depth 23 inches.
Egyptian Revival Armchair, having mother of pearl, bone, and various wood inlays, along with upholstered cushion, height 36 inches, width 22 inches, depth 26 inches.
Two Maurice Greenburg American, 1893 – 1996, Egyptian style paintings, oil on canvas, signed lower left on both Maurice Greenburg each 27 x 23, both having Wally Findlay Galleries labels adhered to the backing boards.
Miner Kellogg American, 1814 – 1889, Sphinx and Pyramids at Cheops and Cyphrene, Egypt, oil on board, signed and dated lower right MK Kellogg 1870 titled and inscribed on the reverse, 9 x 13, having a Charles B. Jarvis label adhered on the reverse.
Alfonso Savini Italian, 1836 – 1908, Secret Love, oil on canvas, signed lower left A. Savini titled in a label adhered to the stretcher bar Secret Love 20 1/4 x 13 1/2.
In the Manner of Thomas Sully American,1783 -1872, portrait of a young Vanderbilt woman, oil on canvas laid on Masonite, unsigned, 11 1/2 x 9 1/2. Provenance: Removed from a Vanderbilt estate attic, as denoted in a typed label adhered to the reverse.
Paolo Rissone Italian, b. 1925, two geometric landscapes, oil on board, both signed and dated lower right: Rissone ’71 11 1/2 x 17 1/4 and 13 x 17 1/2.
Joe Brainard American, 1942 – 1994, Louis Falco in Rehearsal, ink on paper signed, titled, and dated along lower edge: Brainard – 71 sheet size 12 x 9, having a Fischbach Gallery label adhered.
Group of Seven Framed Still Lifes, to include a basket with purple flowers, oil on canvas cherries, oil on canvas, unsigned spilled strawberries, oil on board, unsigned red cherries, oil on canvas, signed lower left mixed fruit pastel on paper, unsigned along with two Sebill still lifes with fruit, both signed lower right.
American School 20th century, portrait of a cowboy in mountains, oil on board, signed indistinctly lower right, 24 x 21 1/2. Provenance: Formally in the collection of Seymour Stein.
Nine Piece Group of Large Contemporary Art to include paintings, works on papers, and collages by the artists Michael Hollis, John Bernard Albers, Masaharu Matsui, Peter Berg, Patty Mator, Italo Scanga, Nancy Giesmann, Bill Komoski, and Marilyn Larner all pieces as is with damage, height 60 inches, width 48 inches.
Patrick Faigenbaum French, b. 1954, Familles d’Aquino di Caramanico, Caracciolo di Avellino, Buccino Grimaldi di Bisaccia Sersale, Napers, 1991 gelatin silver, printed 1991 signed, titled, dated, and editioned ‘213’ in pencil on the backing board, 34 1/4 x 31, with a Barbara Gladstone Gallery label adhered to backing board, as is with upper edge peeling away from mount.
Pair of African American Bronze Figures, depicting a man and woman dressed in 19th century clothing, both raised on wooden bases, height of both 10 3/4 inches.
Ronson Black Americana Touch Tip Lighter, in form of a bar/cocktail counter, circa 1950’s, having chromed metal and walnut effect enameling, marked to the underside with copyright and patent info, height 7 inches, width 6 inches.
Three Marx Painted Tin Amos and Andy Wind Up Black Americana Toys, to include pair of walking Amos and Andy flat eye, height 11 1/2 inches along with a Fresh Air Taxi Cab, length 8 inches.