Nancy Stevenson Graves (American 1940 – 1995)
Abstract, 1983
Watercolor on paper
Signed and dated bottom center N.S. Graves 1/14/83, original label on verso
63″ x 43″
Condition: paper undulation (from watercolor)
Black light: overall good condition under black light
Robert Ellis Kushner (American b.1949)
Crane Wall Hanging, 1978
Acrylic on linen
Signed lower right Robert S Kushner
77″ x 74″
Condition: overall good condition
George Innes (American 1825 – 1894)
“Landscape – House”, 1872
Charcoal and colored pencil on paper
Signed lower left G Inness ’72
8″ x 10″
Provenance: Bernard Danenberg Galleries Inc., New York,
Catalogue raisonne by Leroy Ireland, 1969, with copy of handwritten provenance on verso
Condition: overall good condition, some yellowing to paper
Scott Kelley (American b.1963)
“Labrador Duck, From the Extinct Birds Series”, 2004
Watercolor on paper
Signed, dated, and titled center of page “Scott Kelley, Labrador Duck, From the Extinct Birds Series, 2004″ along with blind stamp lower right
18″ x 24”
Provenance: Sigrid Freundorfer Fine Art, New York, 2005, label on verso
Condition: minor foxing and staining, back is taped
Martin Battersby (British 1914 – 1982)
“Italian Men Trompe l’Oeil”
Oil on canvas
18″ x 16″
Provenance: Grosvenor Gallery, London, catalogue number 13, label on verso
Condition: undulation to canvas, surface grime
Black light: inpainting concentrating lower left, varnish drips to center of face, see photos
Raphael Soyer (American 1899 – 1987)
Partially Clad Nude Portrait of a Woman Seated
Oil on canvas
Signed lower left Raphael Soyer
Original label written on verso
16″ x 12″
Condition: good overall condition, some surface grime
Black light: overall good condition under black light
Albert (Al) Hirschfeld (American 1903 – 2003)
Self Portrait Holding the Name ‘Hirschfeld’
Pen and ink on artist board
Signed in center Hirschfeld
23″ x 18 1/2″
Condition: yellowing to paper, overall good condition
Seymour Fogel (American 1911 – 1984)
Abstract in Black, Red and White, 1949
Oil on masonite
Signed and dated lower left Fogel ’49
28 3/4″ x 39 1/2″
Condition: overall good condition, some loss throughout
Black light: chipping upper left, see photos
Edward Gorey (American 1929 – 2000)
“Tennis”
Watercolor and ink on paper
Signed lower right Edward Gorey
6 3/4″ x 9″
Provenance: Graham Gallery, Madison Ave, New York, exhibited April 23 – May 18, 1974
Condition: slight paper undulation, very good condition
Yves Brayer (French 1907 – 1990)
“Printemps en Provence”
Oil on canvas
Signed lower left Yves Brayer
title on verso
21″ x 26″
Condition: slight edge wear and surface grime, overall good condition
Black light: overall good condition under black light
Alfred Maurer (American 1869 – 1932)
“The Fitting”
Oil on canvas
Signed lower right A.H. Maurer
36″ x 36″
Provenance: original label on verso, Donor Dr. Robert Amstadter, original price $16,000
Condition: canvas is slightly loose, craquelure, minor stretcher marks, some surface grime
Black light: heavy varnish, inpainting to frame and some inpainting throughout, see photos
Giorgio De Chirico (Italian 1888 – 1978)
Two Bucking Horses
Watercolor and gouache on paper
Signed lower right and verso G. de Chirico
8 1/2″ x 10 1/4″
Provenance: James Vigeveno Galleries, label on verso
Condition: surface grime, some foxing and minor staining, overall good condition
Black light: painting under glass, some staining, see photos
Leonard Ochtman (American 1854 – 1934)
Connecticut Valley Landscape
Oil on wood panel
Signed lower left Leonard Ochtman along with inscription on verso “To my friends Mr. and Mrs. WM.B. Tubby- Leonard Ochtman 1927″
6″ x 8”
Condition: under glass, paint loss and chipping concentrating in background, some edge wear
Black light: visible varnish and inpainting throughout, see photos
John Francis Murphy (American 1853 – 1921)
Autumn Landscape, 1919
Oil on board
in ornate gilt frame
Signed lower right J.F. Murphy ’19
5″ x 8 1/2″
Condition: some surface grime, craquelure, edge wear, overall good condition
Black light: inpainting concentrating in sky, see photos
Gabriel Spat (American 1890 – 1967)
“La Plage de St. Malo”
Oil on panel
Signed lower left illegibly
Original label on verso
4 3/4″ x 8 1/2″
Condition: in good condition overall, under glass
Black light: heavy varnish under black light
Louis Michel Eilshemius (American 1864 – 1941)
Bather
Oil on board
Signed and dated lower left Eilshemius 1919
7 3/4″ x 9 3/4″
Provenance: Balin Traube Gallery
Condition: surface grime, some scuffing, overall good condition
Black light: visible varnish and inpainting throughout, see photos
A Pair of Frederick Carl Frieseke (American 1874 – 1939)
Tulips
Watercolor on rag board
Signed lower right F.C. Frieseke
Provenance: Hollis Taggart Galleries, 5/5/03 ($33,000) label on verso, from a private collection designed by Cullman & Kravis Inc.
Condition: overall good condition
Black light: overall good condition under black light
Louis Michel Eilshemius (American 1864 – 1941)
Untitled Landscape
Oil on board
Signed and dated lower right Eilshemius 1909
10 1/2″ x 19 1/2″
Provenance: Balin Traube Gallery
Condition: slight bow to board, edge wear, scuffing and paint loss concentrating in sky
Black light: visible varnish, inpainting concentrating lower left and small spots in sky, see photos
Joseph H. Greenwood (American 1857 – 1927)
Stormy Landscape, 1909
Oil on cribbed wood panel
Signed and dated lower right J.H. Greenwood ’09
7 1/2″ x 10 3/4″
Provenance: Jeffrey Alan Gallery
Condition: craquelure, some scuffing, overall good condition
Black light: visible varnish, inpainting concentrating center right, see photos
Charles Henri Joseph Leickert (Netherlands 1816 – 1907)
A Dutch Winter Landscape with Ice Skaters and Windmills
Oil on wood panel
Signed lower right Ch. Leickert
6 1/4″ x 8 1/4″
Condition: some edge wear, overall good condition
Black light: visible varnish, inpainting lower right, see photos
David Hill (American 1914 – 1977)
Self Portrait, 1960
Oil on masonite
Signed and dated lower left David Hill 1960
48 1/2″ x 29″
Condition: overall good condition, some edgewear
Black light: overall good condition under black light
Chauncey Foster Ryder (American 1868 – 1949)
“The Call” (American Indian on Rocky Shore Calling out to Sea)
Oil on canvas
Signed lower left Chauncey F Ryder
45″ x 57″
Provenance: William S Pardee, exhibited National Academy of Design ’85 Annual Exhibition Winter 1910, number 218, part of the Quinnipiac “Q” Club collection for many years
Condition: minor craquelure, mostly in ocean, overall good condition
Black light: overall good condition, some craquelure throughout visible under black light, see photos
Two Early Sketches to include
A watercolor landscape sketch with horseback riders along with a pen and ink sketch of figures
17th/18th century
Unsigned
7″ x 9″, 5″ x 10″
Condition: yellowing to paper, sun fading, crinkling and undulation to paper
Amelia (Y Del Casal) Pelaez (Cuban 1897 – 1968)
“Figura” (Cubist Figure), 1949
Gouache on paper mounted to board
Signed and dated lower right A. Pelaez 1949, label on verso with artist name and title
42″ x 27 3/4″
Condition: overall good condition
Black light: heavy inpainting throughout, see photos
Frank Alfred Bicknell (American 1866 – 1943)
Landscape Sketch
Oil on wood panel in ornate gilt frame
12″ x 16″
Signed lower right Frank A Bicknell, original label on verso sold for $450
Condition: some surface grime, overall good condition
Black light: inpainting to edges, see photos
Matilda Browne (American 1869 – 1947)
Autumn Cow Pasture
Oil on wood panel
Signed lower right Matilda Browne
10″ x 12″
Provenance: The Wiley Gallery, Hartford CT, label verso
Condition: subtle vertical splitting in wood, some surface grime, overall good condition
Black light: overall good condition under black light
Julian Barrow (British 1939 – 2013)
“Bond Street Flower Seller, London”
Oil on canvas
Signed lower right Julian Barrow
11″ x 14″
Provenance: The Gould Estate, Sutton Place, New York
W.M. Brady & Co., Inc., New York, 2001, stamp on verso
Condition: very good condition
Black light: visible varnish streaks, repairs, inpainting lower right, see photos
Julian Barrow (British 1939 – 2013)
Untitled Park Scene, 2001
Oil on canvas
Signed and dated lower right Julian Barrow ’01
12″ x 16″
Provenance: The Gould Estate, Sutton Place, New York
Condition: very good condition
Black light: white specks/repairs, inpainting in buildings, see photos
Walter Elmer Schofield (American 1867 – 1944)
“The Continental Divide”
Oil on canvas
Signed lower left Schofield, in Newcomb Macklin frame
29 1/2″ x 39 1/2″
Provenance: Stendahl Art Gallery, Los Angeles California label verso
Condition: edge wear, some thin paint exposing canvas, some surface grime, overall good condition
Black light: inpainting concentrating upper left, see photos
Two: Eloise Harriet Stannard (British 1829 – 1915)
A Still Life of Strawberries
Oil on canvas
Signed and dated lower right E.H. Stannard, 1852
11″ x 14″
Provenance: Delaware Art Museum, Wilmington and Sotheby’s, New York, February 11, 1981, lot 109
Condition: some paint chipping and loss along borders, bowed canvas
A Still Life of Fruit, 1863
Oil on canvas
Signed and dated lower left E.H. Stannard 1863
10″ x 13 1/2″
Provenance: Delaware Art Museum, Wilmington, Sotheby’s, New York, 11 February 1981, lot 110
Condition: relined canvas, vertical and horizontal lines in canvas, some craquelure throughout, paint loss, some surface grime
Black light: heavy varnish, inpainting, vertical and horizontal canvas repairs, see photos
Charles Chaplin (French 1825 – 1891)
“Dream of Love”
Oil on canvas
Signed lower right Ch. Chaplin
11″ x 17 1/4″
Provenance: Hammer Galleries, New York
Sotheby’s, New York, 18 June 1982, lot 194
Condition: relined canvas, subtle craquelure throughout, some paint loss in the feet and borders
Black light: heavy varnish, see photos
Illuminated Manuscripts (Carta Executoria)
Spanish School, probably 17th century
“Don Philipe, Por La Gracia De Dios”
Signed bottom center illegibly
One page depicting The Holy Trinity over Spanish Royalty, the other page depicting a coat of arms and soldier on horseback
13″ x 18″
Provenance: A private collection from Fifth Avenue, New York
Condition: undulating paper, crinkling and aging to paper, having restoration work, inpainting, foxing, some holes to paper
Eugenio Eduardo Zampighi (Italian 1859 – 1944)
“Playtime with the Animals in the Kitchen”
Oil on canvas
Signed lower left E Zampighi
22″ x 30″
Condition: having restoration work, heavy varnish, overall good condition
Black light: heavy varnish, patches, inpainting throughout, edgeware, see photos
Thomas Sidney Cooper (British 1803-1902)
Country Landscape with Cattle at Watering Hole
Signed and dated lower left T. Sidney Cooper 1867
26″ x 46″
Condition: relined and restretched, some surface grime
Black light: inpainting to sky, see photos
Harry Herman Roseland (American 1866 – 1950)
“The Dressmaker”, 1900
Oil on canvas
Signed and dated lower right Harry Roseland 1900
24 1/4″ x 34 1/4″
Provenance: Christie’s sale 22 September, 2015 sold for $18,750, Koch Gallery Label, Spanierman Gallery Label verso
Condition: good condition overall, relined, minor edgewear, some surface grime, heavy varnish
Black light: heavy varnish, inpainting concentrating mostly lower right, see photos
Charles Edwin Lewis Green (American 1844 – 1915)
Coastal Village
Oil on canvas
Signed lower right C.E.L Green
14″ x 17 1/2″
Condition: some surface grime and paint loss
Black light: some inpainting, see photos
Pauline Wissant (19th century)
French Landscape Having Riders on Horseback, Farm Trade Outside of the Castle
Oil on canvas
Signed lower left P. Wissant
23″ x 36″
Provenance: from a Beverly Hills, California collection
Condition: under glass, minor paint chipping, edge wear, surface grime
Black light: heavy varnish, inpainting concentrating in edges, some staining, see photos
Pierre-Auguste Renoir (French 1841 – 1919)
“Danseuse au Tambourin”
Painted terracotta
Signed and numbered lower left Renoir 7/15
23 1/4″ x 16″
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: chipping to paint, crack lower right corner
William Rickarby Miller (American 1818 – 1893)
Study for “Cattle Watering Beneath a Footbridge”, 1876
Oil on board
Signed and dated lower left W.R. Miller 1876
8″ x 6″
Condition: paint loss throughout, some cracks to board, slightly bowed, nail hole to top
Yaacov (Jacob Gipstein) Agam (Israeli/American b.1928)
“Liberty II”
Polymorphic painting demonstrating liberation from gravity rotating on its axis, it can be placed in any position 360 degrees, having 6 painted views
Signed, dated on verso “Paris 1978 Liberty II Agam Paris 1957 – 78”
Total diameter 27 inches, center diameter 17 inches
Provenance: Liberty is on page 70 in the Agam book by Frank Popper, originally published 1976
Condition: some paint chipping, refer to photos
Black light: chipping visible under black light
Yaacov (Jacob Gipstein) Agam (Israeli/American b.1928)
“Toutes Directions” (All Directions) 1971
Brass with gold plating kinetic sculpture with multiple views, having 18 rods
Signed and dated on base Agam Paris 1971
Height 16 1/2″, Base 18″ x 18″
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: minor surface scratches, good condition
Miguel Ortiz Berrocal (Spanish 1933 – 2006)
“Romeo e Giulietta”,1966-1967
Polished brass
Signed on bottom Berrocal 674
5 1/2″ x 8 3/4″ x 5 1/2″
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: very good condition, slight scratching to body, base having minor discoloration, slight discoloration to interlocking elements
Miguel Ortiz Berrocal (Spanish 1933 – 2006)
Goliath
Polished brass
Signed on bottom Berrocal 912, orangerie, multiples, cologne, Reischauer
9 1/8″ x 6 1/2″ x 5″
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: very good condition, polish residue in seams, base having minor discoloration
Miguel Ortiz Berrocal (Spanish 1933 – 2006)
Mini David
Chromed Bronze
Stamped with signature and numbered ‘Berrocal 720 3’ (on the side)
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: very good condition, polish residue to cracks, tarnish to back
Jean Robert Ipousteguy (French 1920 – 2006)
Head of Creation in Four Parts
Bronze
Dated and numbered on bottom, signed Ipousteguy 1965 4/6, and Cire Valsuani perdue stamp seal mark
Height 5 inches, width 12 1/2 inches
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: very good condition, very slight wear to edges
Charles Despiau (French 1874 – 1946)
“Dominique”
Bronze with brown patina
Signed and inscribed with foundry mark on back C. Despiau C VALSUANI CIRE PERDUE
Height 14 1/2 inches
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: very good condition, base with minor chipping to edges
Charles Alexander Malfray (French 1887 – 1940)
Swimmers Torse Femme
Bronze having brown patina
Signed, numbered, and stamped with foundry mark on leg Malfray 6/8 VALSUANI CIRE PERDUE
Height 6 inches, length 7 1/2 inches
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: very good condition, minor dings to base
After Edgar Degas (French 1834 – 1917)
“Grande Arabesque, Premier Temps”, circa 1882 – 1885
Bronze with dark brown patina
Stamped with signature, numbered and stamped with foundry mark on base Degas 18/HER AA HEBRARD CIRE PERDUE
Height 19 1/2 inches
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Literature: J. Rewald, Dega’s Complete Sculpture, Catalogue Raisonne, San Francisco, 1990, pp. 108 – 109, no. XXXV
S. Campbell, “A Catalogue of Degas’ Bronzes”, Apollo, vol. CXLII, August 1995, no. 42, pp. 19-20, no. 18
Condition: very good condition, screw in casting next to the figure’s right leg, believed to be on purpose in making
David Palombo (Israeli 1920 – 1966)
Menorah
Iron having black patina
31″ x 18″ x 14 1/2″
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: very good condition, slight discoloration to piece