Still Life of Flowers
Oil on wood panel
Signed illegibly lower right “Ch.____”
7 1/2″ x 5 1/4″
Provenance: Plaza Art Galleries Inc., New York
Condition: bowed wood, paint loss, chipping, edge wear, surface grime
Black light: heavy varnish, inpainting throughout, see photos
After David II Teniers (Flemish 1610 – 1690)
Figures Outside a Tavern,18th century
Oil on wood panel
Unsigned
9″ x 14″
Provenance: A private collection from Fifth Avenue, New York
Condition: varnish drips, some paint loss throughout, inpainting, some chipping to wood
Black light: heavy varnish with drips, inpainting throughout, see photos
Follower of Lucas the Elder Cranach (German 1472 – 1553) 19th century
Portraits of Fridrich Kurfurst, Johann Der Kurfurst, Martin Luther and Calvin
Watercolor and gouache on paper
Signed illegibly upper right and dated 1543
8″ x 12″
Provenance: Christie’s sale 7819 from the collection of Lord Michelham
Condition: yellowing, paper undulation
Black light: inpainting to corners, see photos
Limoges Hand Painted Enamel Plaque Depicting Interior Setting with Figures
17th Century or later
18″ x 12 1/2″
Provenance: A private collection from Fifth Avenue, New York
Condition: the plaque is bowed, some paint chipping
Russian Orthodox Icon of St. Nicholas
The Wonderworker of Myra, circa 1840
Tempera and gilt on wood panel
21″ x 17″
Condition: cracking to wood and paint, worm holes throughout, paint loss, bowed wood, repairs to wood
Black light: heavy varnish, heavy inpainting to center, face and corners, see photos
Russian Orthodox Icon of St. Nicholas
The Wonderworker Alongside Christ and the Virgin Mary, 18th century or later
Tempera and gilt on wood panel
17 1/2″ x 14 1/2″
Condition: cracking to wood and paint, worm holes throughout, paint loss, bowed wood, repairs to wood
Black light: heavy varnish, heavy inpainting and restoration work throughout, concentrating in center, see photos
Large Russian Icon of Jesus Christ Pantocrator
Probably 18th century
Tempera and gilt on wood panel
33″ x 24 1/2″
Condition: cracking to wood and paint, worm holes throughout, paint loss, bowed wood, repairs to wood
Black light: heavy inpainting and restoration throughout, concentrating in face, corners and background, see photos
Flemish School Old Master Landscape (Circle of Nicolaes Berchem)
Flight into Egypt, with the Holy Family in foreground being guided by winged angels and a cherub
Oil on canvas
Unsigned
38″ x 49″
Provenance: from a Beverly Hills, California collection
Condition: craquelure, surface grime, some mold, edge wear, minor abrasions
Black light: heavy varnish, heavy inpainting and restoration work throughout concentrating lower right and bottom, see photos
Two Russian Orthodox Icons to Include,
Jesus Christ Pantocrator and Nicholas the Miracle Worker of Myra
Probably 18th century
13 1/4″ x 10 1/2″, 8 1/2″ x 9 3/4″
Provenance: The Temple Gallery label verso
Condition: cracking to wood and paint, worm holes throughout, paint loss, bowed wood, repairs to wood
Black light: heavy varnish, heavy inpainting and restoration work throughout, see photos
18th Century Portrait of Louis XIV
Half length bust
Oil on canvas
Unsigned
28″ x 22 1/2″
Provenance: from a Beverly Hills, California collection
Condition: relined, surface grime, wear, minor paint loss, unframed
Black light: heavy varnish, heavy inpainting throughout, see photos
A Russian Icon of “Our Lady of Joy to Those Who Suffer”
17th/18th century
Oil on wood
Rough translation of bottom inscription “This is the image of the mother of the creator of all, there is great joy for the people who mourn, she turns their grief sweet”
14″ x 11 1/2″
Provenance: Sotheby Parke Bernet, New York, 29 February – 1 March 1980, lot 551
Condition: vertical wood cracking, paint loss throughout concentrating on Mary’s face and lower center, some inpainting focusing in the sky, pink velvet applied to verso
Black light: heavy varnish, inpainting and restoration work throughout, see photos
Ciro Ferri (Italian 1634 – 1689)
“An Allegory of the Catholic Church”
Brown ink with pink wash, and red and white chalk highlights on paper
11 1/4″ x 8 1/2″
Provenance: Lord Brownlow, Sotheby Parke Bernet, New York, 5-9 June 1979, lot 52
Exhibited: New York, Jacques Seligmann and Co., “Master Drawings”, 1-8 November 1960, no. 18
Condition: loose in frame, small losses to upper right and center
Black light: inpainting and repairs throughout, see photos
George Kalbfus (19th Century) After Alfred Jacob Miller (American 1810 – 1874)
“Crow Indian on the Lookout” 1866
Oil on canvas
Signed and dated lower left G Kalbfus 1866
12″ x 10″
Provenance: M. Knoedler & Co., New York
Sotheby Parke Bernet, New York, April 29, 1976, lot 68
Literature: Marvin C. Ross, “The West of Alfred Jacob Miller”
Oklahoma: University of Oklahoma Press, 1968, no. 5 (watercolor), illustrated
Condition: relined canvas, slight undulation to canvas, craquelure, some paint loss upper right
Black light: heavy varnish under black light, see photos
Asher Brown Durand (American 1796 – 1874)
Landscape with Rocks and Stream
Oil on canvas
Signed lower right A.B. Durand
24″ x 17″
Provenance: Sotheby’s Philadelphia from a private collection December 1, 2004 lot 97 est. $30,000 – $50,000, Sotheby Parke Bernet, New York April 23, 1981
Condition: relined, restretched, restored, subtle surface grime, edge wear, overall good condition
Black light: heavy varnish, large inpainting/repair to middle of canvas, see photos
David Ject-Key (Chinese/Canadian 1890 – 1968)
“Summer Day”
Oil on canvas
Signed lower left D. Wu Ject-Key, and red signature stamp, titled on verso
16″ x 26″
Provenance: Grand Central Art Galleries, New York, original seller’s label on verso
Condition: subtle undulation to canvas, some paint loss upper right and thin paint throughout, overall good condition
Black light: heavy varnish, inpainting lower right and in trees, see photos
George Bentley Nick (American b.1927)
“Heat Wave, Chelsea, Massachusetts”, 1978
Oil on canvas
Unsigned
30 1/2″ x 48 3/4″
Provenance: Harcus Krakaw Gallery, Tibor de Nagy Gallery
Condition: surface grime, abrasion lower right
Black light: visible varnish and varnish streaks, inpainting concentrating in lower left, and right border, see photos
Leon Berkowitz (American 1911 – 1987)
Untitled (Samaras)
Oil on canvas
Signed and titled on verso Leon Berkowitz
50″ x 50″
Condition: good condition overall, slight edge wear
Black light: overall good condition under black light
Doug Ohlson (American 1936 – 2010)
Untitled Abstract, 1970
Acrylic on canvas
Signed and dated on verso Ohlson 1970
66″ x 66″
Condition: some surface grime and staining, slight creasing to canvas, thin paint
Carroll Dunham (American b.1949)
Untitled 8/6, 8/7/90
Pencil and crayon on paper
Signed top C.Dunham
18″ x 23″
Provenance: Sonnabend Gallery, New York
Condition: overall good condition, some creases to paper
Jane Piper (American 1916 – 1991)
“Full White”
Oil on canvas
Signed lower left Jane Piper
Title on verso
55″ x 49″
Provenance: Gross McCleaf Gallery, Philadelphia, Pa and Bodley Gallery, New York
Condition: overall good condition
Black light: some white specks visible in corners, see photos
George Negroponte (American b.1953)
“Study for Lake IV”, 1982
Gouache on paper
Signed lower right G.N. 82
19 1/2″ x 17 1/2″
Condition: overall good condition, some paper undulation
David Dewey (American b.1946)
“Merion’s”, 1982
Watercolor on paper
Signed and dated lower right Dewey ’82
28 1/2″ x 21 1/2″
Condition: overall good condition, some undulation to paper
Vito Hannibal Acconci (American 1940 – 2011)
“Skating the Building”
Collage on paper with Acconci’s handwritten notes “turn the building into a support for the half-pipes and ramps onto the building into the building through the building…”
Signed Acconci Studio: Skate Park
33″ x 38 1/2″
Provenance: purchased from White Columns, New York, 2001 ($7,500)
Condition: under glass, abrasion to lower center, slightly bowed paper, appears to be taped on verso
Izhar Patkin (Israeli/American b. 1955)
Landscape with Sheep and Flowers, 1987
Oil pastel mixed media on metal screen
Signed on stretcher bar Izhar Patkin ’87
48″ x 36″
Condition: subtle paint loss, overall good condition
Robert Ellis Kushner (American b.1949)
“Fiery”, 1984
Acrylic on cotton, mixed fabric collage
Titled lower left Fiery
46 1/2″ x 44 1/2″
Provenance: Holly Solomon Gallery, New York, label on verso
Condition: overall good condition, some fraying to fabric
Pierre Alechinsky (Belgian b.1927)
“Firehouse Diary”
Aquatint etching
Edition 5/30
Signed upper right in pencil Alechinsky
14″ x 8 1/2″
Condition: paper yellowing and undulation, some tearing to edges
Judy Pfaff (British b.1946)
“Fast Food” (9 panels) 1986
Mixed media, plastic collage
Signed, numbered, and dated in several panels J.P., #5 of 9, ’86
51″ x 63 1/4″
Provenance: Holly Solomon Gallery, New York, purchased July 6, 1988 ($20,000)
Condition: overall good condition
Alphonse Mucha (Czech 1860 – 1939)
“La Dame Aux Camelias” circa 1896
Color lithograph
Signed in plate lower left Mucha, and marked in plate Imp. F. Champenois. Paris
80″ x 28″
Condition: some water damage, tearing, folds, minor repairs, yellowing to paper
Karel Christiaan Appel (Holland 1921 – 2006)
“Birds Entangled”, 1957
Mixed media on paper board
Signed lower right and dated CK Appel ’57
18 1/2″ x 25″
Provenance: Alexis Gregory Foundation
Condition: unframed under plastic, some yellowing
Joyce Blumberg Kozloff (American b.1942)
“Warm Beach”
Oil on canvas
Titled on verso
60″ x 60″
Provenance: Barbara Gladstone Gallery, NY, and original sale label verso
Condition: very good condition, some surface grime
Scott Duce (American b. 1956)
“Southern Airport: Runway”, 1995
Oil on canvas
Signed lower left Duce 95
Signed, titled and dated on verso
42″ x 48″
Provenance: Phyllis Weil & Company, New York City, label on verso
Condition: overall good condition, some surface grime
Black light: inpainting concentrating on lower section
Zao Wou-Ki (French 1921 – 2013)
“Hortensias”, 1953
Aquatint
Edition 22/50
Signed and dated lower right Zao Wou-Ki ’53
17 3/4″ x 23 1/4″
Condition: subtle paper undulation
Jose Parla (American b.1973)
Untitled Urban Abstraction
Mixed media, gouache, watercolor, acrylic on paper
Signed lower right Parla
36 1/2″ x 27″
Condition: overall good condition, back appears to be taped
Souleymane Keita (B 1954)
Untitled Abstract
Watercolor on paper
Signed lower left Souley Keita
23″ x 18 1/2″
Condition: yellowing and undulation to paper, good condition
Emile Albert Gruppe (American 1896 – 1978)
“Drying the Nets”
Oil on canvas
Signed lower right Emile A Gruppe
25″ x 30″
Provenance: Vose Galleries, Boston, MA
Condition: overall good condition, recent cleaning
Black light: heavy varnish under black light
Emile Albert Gruppe (American 1896 – 1978)
Naples Beach, Florida
Oil on canvas
Signed lower right Emile A. Gruppe
20″ x 24″
Condition: some thin paint and edge wear, overall good condition
Black light: thin paint, mostly in corners
Emile Albert Gruppe (American 1896 – 1978)
Pompano Fisherman, Florida
Oil on artist board
Signed lower right Emile A. Gruppe
16″ x 20″
Condition: overall good condition
Black light: thin paint, mostly in corners
Pair of Armand Henrion (French 1875 – 1958)
Clown in Yellow Cap and Clown in Red Cap
Oil on board
Signed lower right Arm. Henrion
Both 7″ x 5″
Provenance: The Wiley Gallery Inc.
Condition: some staining to lower left of yellow clown, overall good condition
Antonio Nicolo Gasparo Jacobsen (Danish/American 1850 – 1921)
Ship Portrait of the C.C. Chapman
Oil on board
Signed lower right and dated Antonio Jacobsen 1917
written on verso “From Chap Tammer. 145 Summit Place Kingsbridge, New York”
22″ x 35″
Condition: some edge wear, surface grime and paint loss
Black light: extensive restoration work visible under black light, heavy inpainting and many repairs to sky, sails, frame, see photos
Albert Ferdinand Duprat (Italian 1882 – 1974)
Venetian Seascape
Oil on board
Signed lower left A. Duprat
16″ x 18″
Condition: some edge wear, good condition
Black light: heavy inpainting throughout, see photos
Vernon George Broe (American 1930 – 2011)
“Breezy Afternoon”
Oil on artist board
Signed lower right Vern Broe
Title on verso
20″ x 30″
Provenance: purchased from Tree’s Place Gallery 1989 for $1600
Condition: very good condition
Black light: visible varnish brush strokes
Marie Lucie Nessi-Valtat (French 1910 – 1992)
Landscape
Oil on canvas
Signed lower right Nessi
50 1/2″ x 76″
Provenance: The Gould Estate, Sutton Place, New York
Condition: overall good condition
Hendrick Adriaan van Rheede tot Drakenstein (Dutch 1636-1691)
Set of eight hand colored and illustrated copperplate botanical engravings from Hortus Indicus Malabaricus, originally published 1678, Amsterdam, to include
F.42 Canfchi, Fig.27 Arealu, Fig.52 Cada-pilava, F.18 Belilla, F.6 Kaida Taddi, Fig.18 Nati-Schambu, F.41 Scharigenam
Each 15″ x 19″
Provenance: Bernd Goeckler Antiques, October 2000 ($14,000), from a private collection designed by Cullman & Kravis Inc.
Condition: yellowing to paper, some creases and paper undulation, slightly faded
Group of Eight Chinese Qing Dynasty Watercolors
Depicting exotic birds on rice or tissue paper in hand painted Chinoiserie frames, circa 1840
8″ x 10″
Provenance: The Gould Estate, Sutton Place, New York
Condition: some crinkling to paper, subtle foxing, overall good condition
Joseph Zaritsky (Ukrainian/Israeli 1891 – 1985)
Untitled Red and Blue Abstract
Oil on canvas
Signed lower right J.Zaritsky
60″ x 58″
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: overall good condition
Black light: overall good condition under black light
Arieh (Nisselevitch) Aroch (Russian/Israeli 1908 – 1974)
Untitled Abstract, 1966
Oil pastel on paper
Signed and dated lower left A Aroch 66
11 1/2″ x 9 1/4″
Provenance: Estate of Dina Recanati, 944 5th Ave, New York
Condition: minor creases to corners, overall good condition