Eric Aho (American b. 1966)
“Midsummer Clearing”, 2001
Oil on canvas
Signed lower center Eric Aho, signed, titled and date on stretcher
23 1/4″ x 23 1/2″
Provenance: The Gould Estate, Sutton Place, New York
Condition: overall good condition
Black light: white specks/canvas exposure, see photos
Hughes Claude Pissarro (French b.1935)
City Gardens
Pastel on paper
Signed lower right H. Claude Pissarro
15″ x 20″
Condition: good condition overall, paper appears to be taped on verso
Hughes Claude Pissarro (French b.1935)
Early Fall in the Park
Pastel on paper
Signed lower left H. Claude Pissarro
15″ x 20″
Condition: good condition, paper appears to be taped on verso
Walter Emerson Baum (American 1884 – 1956)
Late Fall in the Village
Oil on Canvas
Signed lower left W.E. Baum
31″ x 39″
Condition: recently been conserved and restored, restretched, relined, craquelure
Black light: heavy inpainting concentrating in sky and edges, see photos
Andre Gisson (American/French 1921 – 2003)
“Carousel”
Oil on canvas
Signed lower left Gisson
9″ x 12″
Condition: center crease to canvas, overall good condition
Black light: overall good condition under black light
Andre Gisson (American/French 1921 – 2003)
“Flower Market”
Oil on canvas
Signed and dated lower left Gisson 1973
11″ x 14″
Condition: some scuffing, overall good condition
Black light: overall good condition under black light
Andre Gisson (American/French 1921 – 2003)
Woman by the Fountain
Oil on canvas
Signed lower right Gisson
30″ x 24″
Provenance: Newman Galleries
Condition: relined, subtle edge wear, overall good condition
Black light: some inpainting upper left, lower right and upper right, see photos
Andre Gisson (American/French 1921 – 2003)
Figures in a Forest Landscape
Oil on canvas
Signed lower right A. Gisson
24″ x 36″
Condition: some edge wear and surface grime, overall very good condition
Black light: some inpainting in center over varnish, see photos
Henry Koehler (American 1927 – 2019)
“The Starters, Below”, 2007
Oil on canvas
Signed lower left Henry Koehler
titled and dated along with inscription on verso “Colors of Sir Evelyn Rothschild, Lord Astor, H.M. the Queen, 2007″
24″ x 20”
Provenance: The Gould Estate, Sutton Place, New York
Condition: very good condition
Black light: overall good condition under black
Henry Koehler (American 1927 – 2019)
Grand National Runners Returning, 2005
Oil on canvas
Signed lower right Henry Koehler
Titled and dated along with inscription on verso “Colors of Jacks, Griswold, Mrs. Thos. H. Voss, Arthur W. Arundel, C. Lickle”
12″ x 18″
Provenance: The Gould Estate, Sutton Place, New York
Condition: very good condition
Black light: varnish visible under black light
Henry Koehler (American 1927 – 2019)
“Elevenses at Dumbleton”
Oil on canvas
Signed lower right and verso Henry Koehler
20″ x 30″
Provenance: The Gould Estate, Sutton Place, New York
Condition: very good condition
Black light: varnish visible under black light
Henry Koehler (American 1927 – 2019)
“The Belvoir Checked”, 1986
Oil on canvas
Signed lower right Henry Koehler
24″ x 40″
Provenance: The Gould Estate, Sutton Place, New York
Condition: very good condition
Black light: some inpainting in sky and lower right, see photos
Henry Koehler (American 1927 – 2019)
“Romola from La Mezzola/Cerbana Tuscana”, 2000
Oil on canvas on panel
signed lower right Henry Koehler, titled and dated “12 October 2000″ on verso
7″ x 13”
Provenance: The Gould Estate, Sutton Place, New York
Condition: very good condition
Black light: overall good condition under black light
Henry Koehler (American 1927 – 2019)
“Mother Pig and Babies”, 2007
Oil on canvas laid to panel
Signed lower left Henry Koehler
Titled and dated on stretcher
7″ x 12″
Provenance: The Gould Estate, Sutton Place, New York
W.M. Brady & Co., Inc., New York
Condition: overall very good condition
Black light: heavy varnish, overall good condition under black light
Henry Koehler (American 1927 – 2019)
“Blanche”, 1987
Oil on canvas
Signed lower right Henry Koehler, signed, titled, and dated on verso
12″ x 16″
Provenance: The Gould Estate, Sutton Place, New York
Condition: overall very good condition
Black light: heavy varnish under black light
Inger Jirby (American b.1942)
“Moonlight Over Greek Town”, 1979
Oil on canvas
Signed lower right Inger Jirby and signed, dated, titled and inscribed on verso ” New York April 11,1979, picture varnish March 1, 1982″
38″ x 56″
Condition: overall good condition, some edge wear
Noel Mahaffey (American b.1944)
“Street Scene” (Coca-Cola)
Oil on canvas
Unsigned
44 1/2″ x 51 3/4″
Provenance: label from collector on verso
Condition: thin paint, edgewear, some scuffing, overall good condition
James McElhinney (American b.1952)
“Shackamaxon II” (Industrial Scene) 1983
Oil on canvas
Signed on verso J. McElhinney, titled and dated on verso
50 1/2″ x 66 1/2″
Condition: overall good condition, some edge wear, some paint loss and scuffing
Martha Armstrong (American b.1934)
“Philadelphia Landscape with Inquirer Building”, circa 1984
Oil on canvas
54″ x 48″
Condition: very good condition, minor craquelure, bottom left corner slightly dirty
Black light: some inpainting throughout
Chris Zmijewski (Polish/American b.1958)
“Benjamin Franklin Hotel”, 1982
Oil on canvas
Signed and dated lower left C. Zmijewski 82
49 1/4″ x 47″
Provenance: Gross McCleaf Gallery, Philadelphia, Pa, originally sold for $1200
Condition: some surface grime, thin paint, edge wear, overall good condition
Black light: overall good condition under black light, heavy varnish
Alice Aycock (American b.1946)
“The Great Red Chinese Dragon Carpet”
Pencil on mylar
Signed and dated lower right Alice Aycock ’81
55 1/2″ x 43 1/2″
Condition: taped to back, some pencil marks, good overall condition
Tula Telfair (West African/American b. 1961)
“The Discourse of Pleasure II”, 2000
Oil and metal on canvas
65″ x 100 1/2″
Condition: good overall condition, some scuffing
Robert Mapplethorpe (American 1946 – 1989)
“Thomas”, 1986
Unique platinum print on Belgian linen
in artist’s original frame
24″ x 20″
Provenance: Purchased from Sean Kelly Galleries, December 7, 2010, and Old Fraenkel Gallery label on verso from a private collection
Condition: light foxing on verso, overall good condition
AES + F Group (Russian est. 1987)
“Last Riot 2 – The Bridge”, 2006
C-print, digital print on canvas, edition 1 of 5 + 2 artist proof
67″ x 82 1/2″
Provenance: Sotheby’s tag verso, lot 399 from a private collection
Condition: stretcher marks, some edge wear, good condition
Black light: overall good condition under black light
T V Santhosh (Indian b.1968)
Untitled Abstract, 2005
Oil on canvas
Signed and inscribed on verso TV Santhosh and “T.V. SANTHOSH OIL ON CANVAS SIZE: 4.5’x 6″
54″ x 70”
Provenance: Christies London, from a private collection, sold June 11, 2008 ($285,200)
Condition: some edge wear and subtle scuffing, overall good condition
Jack Pierson (American b.1960)
“Self Portrait #25″, 2005
Pigment print in color on photo rag paper, Hahnemuhle USA 2005
Cheim Reid stamp on verso
53 1/2″ x 43”
Provenance: Leila Heller Gallery, June 23, 2014, sold for $36,200
Condition: scuff to lower center, some exposed matting, overall good condition
Sarah Supplee (American 1941 – 1997)
“Massachusetts Pasture” 1981
Oil on canvas
Signed and dated lower right Sarah Supplee 1981
60″ x 60″
Provenance: Hirschl Adler Gallery, New York
Condition: some edge wear, subtle stretcher marks
Willard Dixon (American b.1942)
“Taos” (New Mexican Landscape) 1981
Oil on canvas
Signed and dated lower left WD 81
55″ x 84″
Condition: overall good condition
Willard Dixon (American b.1942)
“The San Rafael Canal IV”, 1980
Oil on canvas
Signed and dated lower left WD 80
60″ x 108″
Provenance: Fischbach Gallery, New York
Condition: some edge wear, slight creasing to canvas in the sky
Jon Carsman (American 1944 – 1987)
“Gladiola Spikes”, 1978
Acrylic on canvas
Signed, titled, dated on verso Jon Carsman, Gradiola Spikes 1978
60″ x 44″
Condition: overall good condition, some scuffing, thin paint, edge wear
Joseph Konopka (American b.1932)
“Washington Crossing Park: Bucks Country, Pennsylvania”, 1975
Oil on canvas
Signed, titled, dated on verso
72″ x 52″
Provenance: Razor Gallery, New York, label on verso
Condition: very good condition, a few minor soiling spots bottom right
Richard Haas (American b.1936)
“Albany State Capitol Building”
Partially colored lithograph, edition 311/325
Signed lower right Richard Haas
22″ x 32″
Condition: overall good condition, some paper undulation
Richard Haas (American b.1936)
“Metropolitan Museum, Central Park”, 1979
Colored etching
Edition 26/50
Signed lower right Richard Haas
19″ x 36″
Condition: overall good condition, paper undulation
Black light: overall good condition under black light
Richard Haas (American b.1936)
“Garden Court” (Trompe l’oeil, Interior Courtyard of Frick Museum in New York) 1979
Silkscreen on canvas
Signed and dated lower right R. Haas ’79
96″ x 72″
Condition: overall good condition
Laszlo Pataky Von Sospatak (Hungarian 1857 – 1912)
“Haywagon Drawn by Horses”
Oil on artist board
Signed lower left Laszlo Pataky
14 1/2″ x 25″
Condition: subtle paint loss and craquelure, some edge wear, overall good condition
Black light: heavy varnish, inpainting to horses’ reigns, wagon, and left edges, see photos
Adolphe Etienne Piot (French 1850 – 1910)
Young Girl Sitting with Basket of Fruit
Oil on canvas
Signed lower right A. Piot
32″ x 23″
Condition: having restoration work, relined, subtle craquelure, overall good condition
Black light: heavy varnish, inpainting to dress, see photos
Landscape of Calvary on the Run Down a Path
Oil on canvas
Unsigned
27″ x 38″
Provenance: from a Beverly Hills, California collection
Condition: relined and restretched, craquelure throughout, some paint loss, edge wear
Black light: heavy varnish, nothing visible underneath
Alexandre Debuisson (French, 1805-1870)
“L’abre Mort”
Mountainous Farm Landscape with Cattle
Oil on canvas
Unsigned
20″ x 30″
Provenance: from a Beverly Hills, California collection
Condition: surface grime, small tear in center, frame wear, repairs on verso, inpainting throughout
Black light: heavy varnish, several large inpainting spots to sky, corners and craquelure inpainting throughout, see photos
Flemish School
Sheep Herder in a Landscape
Oil on canvas
Signed illegibly lower right
23″ x 31″
Provenance: from a Beverly Hills, California collection
Condition: surface grime, minor paint loss, edge and frame wear, minor scratches, abrasions, relined
Black light: heavy varnish, heavy inpainting throughout, paint loss throughout, see photos
Charles Courtney Curran (American 1861 – 1942)
“A Cup of Tea”, 1886
Oil on masonite
Signed and dated lower right Chas.C.Curran 86, original label on verso
9″ x 12″
Condition: overall very good condition, some surface grime
Black light: heavy varnish, inpainting concentrating in table cloth and dress, see photos
Circle of Jean-Baptiste Pater (French 1695 – 1736)
Carnival, Musical Street Performance with a Black Bear and Dogs
Oil on canvas
Unsigned
40″ x 60″
Provenance: from a Beverly Hills, California collection
Condition: surface grime, large abrasion center left, minor scratches, edge and frame wear, relined
Black light: heavy varnish, heavy inpainting and several repairs throughout, see photos
William Wheeler (American 1832 – 1893) after Thomas Cole (English 1801 – 1848)
“Mount Etna from Taormina”
Oil on canvas
Signed lower left “Copy by W.R. Wheeler from T. Cole”
46″ x 64″
Condition: some surface grime, some paint loss, overall good condition
Black light: heavy varnish, inpainting in upper corners, mountain and sky, see photos
Italian Old Master (17th/18th century)
Battle Scene Featuring Cavalry Entering a Castle’s Gate
Oil on canvas
Unsigned
37″ x 48″
Provenance: from a Beverly Hills, California collection
Condition: surface grime, canvas loose, craquelure, minor chipping and paint loss, edge wear
Black light: heavy varnish, inpainting and repairs throughout, see photos
John Frederick Herring Jr. (British 1815 – 1902)
“Moving Log’s on the Farm”
Oil on canvas
signed lower left J.F. Herring
36″ x 60″
Condition: restretched and relined, overall good condition
Black light: heavy varnish, inpainting and repairs throughout, see photos
Flemish School 16th century
Joseph of Arimathea
Oil on wood panel
Unsigned
24″ x 11 3/4″
Provenance: Exhibited Antwerp Propaganda Weeks August 10 – September 22, 1945, label on verso, a private collection from Fifth Avenue, New York
Condition: bowed wood, craquelure throughout, surface grime, paint loss and chips concentrating in the face, upper right and lower left
Black light: heavy varnish, inpainting to face and robe, see photos
Jean Jacques Henner (French 1829 – 1905)
Portrait of a Girl in Red
Oil on canvas
Signed upper left Henner
21 3/4″ x 13″
Provenance: New House Galleries, New York
Mr. and Mrs. Kay Kimbell, Fort Worth, Texas, to 1986
Sotheby Parke Bernet, New York, 15 October 1978, lot 186
Condition: relined canvas, craquelure throughout, some paint loss/scuffing along borders
Black light: heavy varnish, edge wear, see photos
Circle of Frans Francken II the Younger (Belgian 1581 – 1642)
The Family of Darius before Alexander
Oil on wood panel
Unsigned
13″ x 8″
Provenance: A private collection from Fifth Avenue, New York
Condition: bowed panel, subtle paint loss throughout concentrating upper left and lower right, cracks to wood, some scuffing along borders
Black light: heavy varnish and drips, inpainting throughout concentrating in corners and bottom, see photos
Jehan-Georges Vibert (French 1840 – 1902)
“The Cardinal’s Painting”
Oil on canvas
Signed lower right J.G. Vibert
24″ x 31″
Provenance: A private collection from Fifth Avenue, New York
Condition: paint thinning and loss throughout, slightly rough condition
Black light: heavy varnish, paint loss throughout, see photos
Attributed to Niccolo De Simone (Italian 1636 – 1677)
“Moses Bringing Water Back from the Rock”
Oil on canvas
Unsigned
30″ x 40″
Provenance: from a Beverly Hills, California collection
Condition: relined and restretched, craquelure throughout, some paint loss, edge wear
Black light: heavy varnish, heavy inpainting throughout concentrating in corners and figures, see photos
Spanish School (16th Century)
The Tree of Jesse with Six Scenes from the Life of the Virgin Mary and Christ
Oil on copper
Each panel 9″ x 7″, 33″ x 26″ overall
Provenance: Sotheby Parke Bernet, New York, January 22-23, 1976, Lot 115
Condition: some paint loss throughout, some surface grime and foxing
Black light: heavy varnish, inpainting throughout concentrating in corners, see photos