EDWARD LAMSON HENRY 1841-1919 The Home of Dudley Sanford Gregory oil on canvas signed lower right E. L. Henry 1865 16 x 27 Provenance: Mrs. Ernest Franklin Tyler France Gregory to current Consignor Reference: Photographic copy is in Frick Art Reference Library, N.Y. The Home of Dudley Sanford Gregory in Jersey City, New Jersey. Dudley was the first Mayor of Jersey City. Scene depicts Dudley S. Gregory’s home and Presbyterian Church at intersection of Washington and Sussex Streets at Washington Square and shows a tree lined street with Victorian iron fencing, horse drawn carriages, and several people.
GEORGE LINEN 1802-1888 Pair of small oval portraits Dudley Sanford Gregory 1800-1874 and his Wife Ann Maria Gregory 1805-1871 oil on panel 7 1/2 x 6 1/4 This pair of paintings is related with Edward Lamson Henry painting. Provenance: Mrs. Ernest Franklin Tyler France Gregory to current Consigner Reference: Photographic copy is in Frick Art Reference Library, N.Y. Image Id# 50814 & 50815
Portrait of a young man holding a book pillars and landscape background oil on canvas old paper label on reverse stating William Arden Maury, eldest child of John Walker and Isabel Foyles Maury, married Elizabeth Herndon Maury 10 1/4 x 8 1/4
Chippendale mahogany block front chest with rectangular top with blocked front over conforming case of four graduated drawers having scalloped apron with drop center set on bracket feet, Massachusetts circa 1770. ht. 32 in. case wd. 32 3/4 in. dp. 21 in. Illustrated in American Antiques from The Israel Sack Collection, pg. 1281, #4278 Provenance: Nathan Liverant & Son The Estate of Sylvia Leven. Included Documentation: Copy of Bill of Sale 1989
Chippendale cherry inlaid reverse serpentine chest having over-hanging top over four reverse serpentine graduated drawers having molded apron with center gadroon carved edge flanked by ogee bracket feet, probably Norwich, Connecticut circa 1780. ht. 36 3/4 in. case wd. 38 in. dp. 20 1/2 in. Provenance: Nathan Liverant & Son The Estate of Sylvia Leven Included Documentation: Copy of original Bill of Sale
Queen Anne tea table having rectangular top with molded edges over carved skirt on cabriole legs ending in pad feet, 18th century top replaced. ht. 26 1/2 in. top: 28 1/4 x 20 1/4
Chippendale mahogany side chair having carved crest rail and carved tassel back with slip seat all set on carved cabriole legs ending in ball and claw feet, 18th century restored. seat ht. 17 3/4 in. total ht. 38 1/2 in.
George III mahogany table with drop leaves, one drawer, and flat pierced stretcher on squared legs, 18th century. ht. 29 in. top closed: 17 1/2 x 27 1/2 top open: 36 1/2 x 27 1/2
Regency mahogany inlaid sofa table having inlaid top with two drop leaves over frieze with two drawers on tressel supports set on reeded downswept members with brass feet and casters, circa 1830-1840. ht. 27 3/4 in. 24 x 62 top closed: 24 x 39 top open: 24 x 62 Included Documentation: Copy of original Bill of Sale Provenance: Nathan Liverant & Son to the Estate of Sylvia Leven
CHARLES MARION RUSSELL 1864-1926 Elk in the Rockies watercolor/gouache on paper signed lower left Chas. M. Russell Helena, MT 1887 monogrammed lower right CMR written on reverse: Purchased from the Cowboy Artist Chas. M. Russell at Helena, Montana May 12, 1887. sight size: 9 1/2 x 13 3/4 Provenance: Western Arts & Crafts Great Falls Montana 1968 Authenticated by Fred Renner, September 1968 Current Private Collection Included Documentation: Authenticity letter from Fred Renner, dated September 25, 1968, stating that the painting is authentic and originally purchased in 1887, that the unusual monogram-signature in the lower right corner is one the artist used in 1883 and 1884, and Paintings this early by Charles M. Russell are exceedingly rare. Original letter from Montana Historical Society dated July 26, 1968 in support of and agreeing with Renner’s Letter of Authenticity of this painting. Letter is signed by Curator Robert Morgan.
Three piece lot to include cast iron fire marks eagle over 1792 and a raised INA at top, cast iron fire mark FA with tank and hose, cast iron fire mark oval casting with a fire apparatus and marked UF. 11 x 8 1/2, 10 3/4 x 7 1/2, and 9 x 11 1/2
Two cast iron banks including Monkey and Lion mechanical bank and Bison/Buffalo still bank. lion: ht. 8 in. lg. 9 in. bison: ht. 5 1/2 in. lg. 7 1/2 in.
Pair of brass wall sconces with embossed wall plaque mounted with brass decorated shaft, single light with opalescent shades, each with chained crystals. total ht. 13 1/4 in. dp. 11 1/2 in.
Chippendale cherry reverse serpentine chest having reverse serpentine top over four conforming drawers with block ends set on blocked ogee feet and quadrant blocking having original hardware, attributed to Eliphalet Chapin both back feet pieced. ht. 35 in. wd. 33 1/2 in. dp. 18 1/2 in. Provenance: Nathan Liverant & Son Estate of Sylvia Leven Included Documentation: Copy of Bill of Sale and photograph
Famille Rose vase with painted scholar objects and vases of flowers, made into a table lamp, 19th century rim chips. vase ht. 14 in. total ht. 31 1/2 in.
Chinese porcelain Famille Rose covered jar with three painted Guanyin figures by a tree on one side and signed on the back, made into table lamp. vase ht. 11 in. total ht. 28 in.
Large Imari fish bowl, exterior painted with blue and grey flying cranes amongst grey and gilt bamboo trees, interior having scrolling vines with blossoming flowers. ht. 9 1/2 in. dia. 16 in.
Chinese porcelain vase made into a table lamp having painted mountainous landscape on ocean’s edge and signed on back, Republic Period. vase ht. 17 in. total ht. 35 1/2 in.
Famille Rose baluster porcelain vase with foodog head handles and painted planters on either side, made into a table lamp. vase ht. 16 1/2 in. total ht. 35 in.
Pair of Chinese oxblood glazed porcelain vases in baluster shape with trumpet form top, both made into table lamps. vase ht. 18 in. total ht. 37 1/2 in.
Large Famille Noir baluster form porcelain vase molded with a lively display of the Hundred Antiques and precious Emblems in high and low relief various floral bouquets, vases, planters, and scholar objects, made into table lamp, 19th century. vase ht. 24 in. total ht. 47 in.
PIERRE AUGUSTE RENOIR 1841-1919 Viellard Aux Cheveux Gris oil on canvas unsigned having Hammer Gallery New York stamp on reverse #21857-5 2 1/2 x 2 3/4 Provenance: Provenance: From the collections of Theodore Schempp, Paris M. Knoedler & Co. Inc., New York Mrs. Edward F. Hutton, New York Hammer Gallery, NY 1973 Current Private Collection Included Documentation: Hammer Galleries folder containing original bill of sale dated August 8, 1973, handwritten letter from the Gallery stating it’s authenticity, and an original photograph of this painting.
Walnut Queen Anne upholstered chair having winged back with large cones on plain D form seat set on cabriole legs joined by block and turned stretchers ending in pad feet, walnut and maple, New England circa 1740. seat ht. 15 3/4 in. plus cushion, ht. at back 48 in. wd. 37 in.
Rare mahogany and figured mahogany tea table having round dish tilt top on simple turned ring shaft set on cabriole legs ending in small claw and ball feet, mahogany and maple, retaining old finish, attributed to John Goddard, Newport, Rhode Island circa 1765, closely related to table in American Furniture Book 1499, Published by Chipstone, Figure #6. ht. 27 1/2 in. dia. 34 3/8 x 34 7/8
EMILE ALBERT GRUPPE 1896-1978 Ship in Harbour Harvey Gamage out of Bristol oil on canvas signed lower right Emile A. Gruppe titled and writing on reverse 20 x 24
HARRIET RANDALL LUMIS 1870-1953 November Morning oil on canvas unsigned stenciled monogram on back of canvas R.H. Love Galleries label on reverse #1127 in their catalog 21 x 26
Minton dinnerware set marked Minton Bone China Made in England on bottom, service for 12 plus including 14 dinner plates, 12 dessert plates, 13 bread plates, 12 coffee cups, 12 saucers, 12 soups, 13 soup underplates, 1 sugar, 1 creamer, 4 nut dishes, and 2 serving plates, 96 total pieces
George III cherry demilune game table, top with half round panel inlay with ray lines opening to felt lined interior with line inlaid frieze set on bell flower inlaid square tapered legs, two swing legs, circa 1790-1810 top cracked. ht. 30 in. wd. 38 1/2 in. dp. 17 1/2 in.