Louis XVI Style Mahogany and Gilt Bronze Gueridon, having urn under table, after a model by Weisweiler, height 29 inches, diameter 22 inches. Provenance: Property from the Estate of Alexis Gregory, Sold to Benefit the Alexis Gregory Foundation.
Pair of Louis XV Walnut Open Armchairs, having inset upholstered backs and upholstered slip seats set on cabriole legs, height 43 inches, width 28 1/2 inches.
Irish Mahogany Wake Table, having oval drop leaves and one drawer, set on square tapered legs, late 18th/early 19th century, height 29 inches, length 59 inches, open 57″ x 59″.
George IV Mahogany Drum Table, having inset leather tip, four drawers, revolving top on pedestal, set on four downswept members ending in brass paw feet, early 19th century, height 30 inches, diameter 44 1/2 inches, (one leg repaired, leather surface with wear)
Louis XV Pierre Hache Bibliotheque, having walnut and burl walnut inlaid panels, two doors upper portions with glass panels on suppressed ball feet, height 74 inches, width 45 1/2 inches. Provenance: Martin De Bazin Le Louvre Des Antiquaires, 2 Place du Palais Royal, Paris, 1993, paid $239,450 FRF. Along with letter from Martin De Bazine stating he purchased it in Dauphine near Grenoble mid 18th century, from a private New York City collection.
George IV Mahogany Pedestal Partners Desk, in the manner of Gillows Lancaster and London, having serpentine form inset leather writing surface, carved edge over conforming serpentine front, back, and ends, front with drawers, back with drawers and doors, stamped W. Wilson, London, height 30 inches, top 41″ x 67″. Provenance: Kentshire Galleries, Ltd., 37 E. 12th Street, New York, 1992, paid $53,500. From a private New York City collection.
Chippendale Style Mahogany Armchair, having hoof feet, made up of old elements, height 44 inches, (repairs). Provenance: From a private New York City collection.
George I Burl Walnut Open Armchair, having shaped back with scrolled arms, oval early needlework set on cabriole legs, ending in claw and ball feet, Manner of Gillows, height 37 inches, seat height 17 inches, width 26 1/2 inches. Provenance: purchased 1992, Kentshire Galleries, Ltd., 37 E. 12th Street, New York, paid $64,000. From a private New York City collection.
George II Mahogany Pier Table, having rectangular top over shell carved frieze, set on shell carved cabriole legs ending in trifed feet, height 29 inches, top 22″ x 37″.
Chippendale Mahogany Piecrust Tip Table on Pedestal, having carved urn on tripod base with ball and claw feet, height 28 inches, diameter 34″ x 34 1/2″.
Louis XVI Style Mahogany Drop Leaf Table, having three extra leaves with brass trim, all set on turned legs, height 29 1/2 inches, three extra leaves (20 1/4 inches each), opening to 100 inches, without leaves opens to 40 inches, closed 21″ x 40″.
Empire Mahogany Round Center Table, having pietra dura and micro mosaic top of flowers, Colosseum and various buildings, height 29 inches, diameter 35 3/4 inches, (small edge chips).
Tiffany Studios 12 Light Candelabrum, along with candle snuffer, having four arms with three candle holders each, marked Tiffany Studios, New York, 1295, height 15 1/2 inches.
Pair of Tiffany & Company Bronze and Blown Glass Candelabrum, patinated bronze and green glass, having four arms, inscribed Tiffany Studios, New York, D556 46, height 12 inches.
Pair of Demilune Mahogany Console Tables, having marble tops on gilt decorated friezes, supported by full length classical figures on marble bases, height 33 inches, width 32 1/2 inches, depth 16 1/2 inches.
German Baroque Walnut Veneered Chest of Drawers, having rectangular banded top above a break serpentine front with three drawers, all with burl walnut cartouche paneling and bands, set on stepped reeded bun feet, probably 17th century, height 32 inches, width 47 inches, depth 20 1/2 inches.
French Two Drawer Commode, having serpentine front with conforming gray marble top over two drawers having brass pulls, height 32 inches, width 46 inches, depth 21 inches.
Mahogany Secretaire Abattant, having a grey granite top with single drawer, over drop front desk, over three drawers, on base molding drawer, 19th century, height 52 inches, top 18 inches.
Empire Walnut Secretaire, having abattant rectangle top above one drawer over full front, leather inset writing surface and pigeon holes with eight drawers over three drawers, flanked by columns with bronze mounts, top is ebonized wood, 19th century, height 60 1/4 inches, top 21″ x 45 1/2″.
Louis XVI Fruitwood Commode, having grey marble top with turret corners over three short drawers over two drawers, set on turned legs, 18th-19th century, height 34 1/2 inches, top 24″ x 50″.
Afshar Throw Rug, 5′ x 6′ 8″, circa 1890-1900. Provenance: Terry Ann Tomlinson, Woodstock, NY, 1993, paid $8,500, From a private New York City collection.
New Ireland Mask or Head, having original paint and hair, depicting jumping fish on top as well as black snakes circling the face, small section missing from far right lower side, height 25 1/2 inches, with stand 30 1/2 inches. New Ireland is one of several islands in the Bismarck Archipelago and politically part of Papua New Guinea. These islands were given English names by Carteret in 1767. Most objects in museums and private collections are from the northern half of New Ireland and are associated with the Malagan tradition of funerary art. Malagan is a generic term that describes groups of tribal ceremonies and the various figures, masks, and carvings of painted lime wood (Alstonia sp) associated with them. Statues and masks were carefully carved and painted with black, red, and yellow mineral pigments (the blue color was introduced by Europeans.) Some masks were held in the hand rather than placed over the head. After they were used, they were discarded because the spirit in the object was no longer in it. These tribal ceremonies intrigued western visitors. Richard Parkinson described these as “ceremonies consisting of great feasts and dancing which are performed using head masks.” This mask (or head) was carried by a handle and most likely depicts jumping fish on top as well as black snakes circling the face. (A small section of the snake is missing from the front right side of the mask.) Before the First World War these masks and sculptures fascinated avant-garde artists and intellectuals; while after 1918 the Surrealists in France were instrumental in including several of them in important shows.
Two African Masks, to include one mask having colored horned head, colored in blue, white and green with straw on stand; along with horned head mask having painted face, on stand; heights 23 1/2 and 24 1/2 inches.
Double Sided African Mask or Headdress, having black and white paint with enlong mouth, small head protruding from back of mask resting on a stand, height 20 1/2 inches.
Group of Five African Masks and Figures, to include a painted mask with straw hair, height 13 inches on stand; small carved mask; painted figure of a nude woman and child; tall figural mask; along with an oblong mask having shell border
Louis Vuitton Steamer Trunk, having three drawers, one tilter, one door, six wood hangers, height 44 1/2 inches, width 21 3/4 inches, depth 15 1/2 inches.
Ancient Carved Greek or Roman Marble Head, bearded man, white marble, raised on black base, height 6 inches. Provenance: Property from the Estate of Alexis Gregory, Sold to Benefit the Alexis Gregory Foundation.
Two Carved and Polychrome Figures, to include carved Madonna and child figure, figure height 7 inches, Madonna standing in a robe painted in green, red and gold, on granite base, 15th/16th century; along with a smaller carved figure of woman holding her hands out, height 6 inches.
Three Carved Figures, to include a carved Spanish Colonial gilt and polychrome Santos’ figure of St. Francis depicted in a standing position wearing a gilt gold and black robe holding a closed book; along with two carved oak figures, 16th century or later, heights 9, 13 and 13 3/4 inches.
Large Carved Wood Figure, Spanish Colonial, Gesso and Polychrome, 17th century, Santos wearing a robe and holding a staff, 16th/17th century or later, height 27 1/2 inches.
Edmond Lachenal Large Glazed Globular Vase, having painted bird with tallens design, signed Lachenal, piece Made in France on bronze base, marked “L. Katona, Beaux Arts, France”, vase height 12 inches, total height 27 inches.
Bronze Gun Table Cannon with Carriage, 17th century or later, having heavy bronze barrel marked Hans Van Der Welborg 1647 on early carriage, with iron mounts and wood wagon wheels having worm holes, length 19 1/2 inches, (one wheel as is).
Rococo Giltwood Mirror, 18th century, height 41 inches, width 23 inches. Provenance: Property from the Estate of Alexis Gregory, Sold to Benefit the Alexis Gregory Foundation.
Monumental Majolica Urn, having cover, on pedestal, cobalt blue and tan with ribbed sides on circular base with fluted sides, robin egg blue glazed interior, signed on bottom SA Brechemines 1906, height of urn 45 inches, pedestal length 26 1/2 inches.
Renaissance Revival Victorian Walnut Side Cabinet, having rounded top over three marquetry inlaid doors and birdseye maple interior, height 62 1/2 inches, width 57 inches.