Bernard Gantner French, b. 1928
L’aire en Hiver, 1977
oil on canvas
signed and dated lower right Gantner, 77
Wally Findlay Galleries label verso
44 1/2 x 57
Pair of Sergeevich Hrenov Russian, 1860 – 1926 Landscapes with Moose
watercolor and gouache on paper
both signed in Cyrillic lower right
sight size: height 18 1/2 x 23
Pair of Alexander Sergeevich Hrenov Russian 1860 – 1926
Countryside Landscapes
watercolor and gouache
each signed in Cyrillic
sight size: height 9 x 12
Pair of Alexander Sergeevich Hrenoy Russian, 1860 – 1926
Snowscape Landscapes, Sled Horses Dragging Bull Moose Out to the Cabin
watercolor and gouache on paper
both signed lower right
sight size: height 14 1/2 inches, width 20 inches
Antonio Cirino American, 1889 – 1983
Frozen Stream
oil on canvas
signed lower right A. Cirino
20 x 24
Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut
Robert Emmett Owen American, 1878 – 1957
Fall Sunlit, Camden, Maine
oil on canvas board
signed lower right
17 1/2 x 23 1/2
Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut
Lee Lufkin Kaula American, 1865 – 1957
Iris
oil on canvas
signed lower right Lee Lufkin Kaula
Fenway Studios, Boston, Massachusetts label verso
46 x 35
Catalog note: Exhibited at the Newport Art Association, 1923 and Fenway Studios, Boston, Massachusetts
Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut
Karl Schmidt-Rottluff 1884 – 1976
Harbour On The Elbe
woodblock print
pencil signed Schmidt-Rottluff, 1950 lower left
11 1/4 x 14
Provenance: Estate of Dr. Thomas & Alice Kugelman, Bloomfield, Connecticut
Stuart Kaufman 1926 – 2008
Wild Surf at Westhampton
oil on panel
signed Kaufman lower right
David Galleries, New York City label verso
6 3/8 x 8 1/8
Provenance: The Estate of Ed Brenner, Short Hills, New Jersey
Louis Lozowick 1892 – 1973 City on a Rock pencil on board R>signed Louis Lozowick top right sight size: 11 3/4 x 16 Provenance: The Estate of Ed Brenner, Short Hills, New Jersey
William Smith Robinson 1861 – 1945
In Port Gloucester Harbor Three Sisters
oil on board
signed Wm. S. Robinson lower right
Lyme Art Association Label verso
10 x 12
Emil Carlsen American, 1848 – 1932
Autumn Landscape, 1896
oil on canvas
signed and dated lower left Emil Carlsen 1896
17 x 20 1/2
Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut
Josef Thoma The Younger 1828 – 1899
Marine Scene at Shore with Cliffs in Background
oil on canvas
19th century
signed lower right J. Thoma
20 1/4 x 32 1/4
John Leech 1817 – 1864
Eighteen piece group to include The Sporting Tour of Mr. Sponge
original sketches and drawings for the book, including cover page, Hunting the Hounds Mr. Sponge Completely Leather His Lordship Mr. Bragg’s Equestrian Portrait One of Multum in Parvos Going Days Hunting the Hounds Mr. Sponge Declares Himself You’re a Gen’ elman you are Mr. Sponge in Oxford Street Jack and Mr. Sponge write an article for the Swillingford Paper Mr. Sponge’s arrival at Jawleyford Court Mr. Bugles goes out hunting again Mr. Caingry Thornton doesn’t put on steam enough Frantic delight of Ponto lady Scattercash Mr. Spragons embassy to Jawleyford court Mr. Sponge gives Ponto a lesson,leather on Ercles and parvo, decorated with a sky blue
largest size: height 10 1/4 inches, width 6 3/4 inches,
all with Kennedy Gallery, New York label on back
Arthur Szyk 1894 – 1951
Soldier Sitting on a Drum
watercolor and gouache on paper
signed Arthur Szyk, New York, 1941 lower right
sight size: 10 1/4 x 7 1/2
Arthur Szyk 1894 – 1951
The Russian and Japanese spoils of war and the Haile Selassie, Russian Soldier and Tojo
watercolor and gouache on paper
signed and inscribed Arthur Szyk, New York, 1941 lower right
sight size: 10 1/4 x 14 1/4
Disney Snow White and the Seven Dwarfs Production Cel
scene of Snow White with a bird in the forest
8 1/2 x 8 1/2
Provenance: William Doyle Galleries, 1995
Felix Francois Georges Philibert Ziem 1821 – 1911 Venice boats on the Canal With Saint Mark’s Basilica oil on board signed lower right Ziem cradled back 21 x 29 3/4 Certified by Mathias Ary Jan. Certificate of authenticity from Mathias Ary Jan will be provided to the successful bidder.
Reginald Marsh 1898 – 1954
Figure Studies
ink on paper
unsigned
ACA Galleries, Inc., New York label verso
sight size: 8 1/2 x 11 1/4
Provenance: The Estate of Ed Brenner, Short Hills, New Jersey
Robert Henri 1865 – 1929
Reclining Nude
blue pencil and crayon on paper
embossed R.H. lower right
Hirschl & Adler Galleries, New York label verso
sight size: 7 1/2 x 10 1/2
Provenance: The Estate of Ed Brenner, Short Hills, New Jersey
Clara Simpson Davidson American, 1874 – 1962
Sonny
oil on canvas
signed lower center Clara S Davidson
original paper label attached verso
diameter of circular mat 14 1/4 inches
Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut
Hugh Breckenridge 1870 – 1937
Low Tide, Gloucester, Fort Washington, Pennsylvania
pastel chalk on paper
signed lower left Breckenridge
titled and signed verso
sight size: 6 3/4 x 8 3/4
School of Jean-Baptiste Greuze Portrait of a Young Girl oil on canvas unsigned relined 16 x 12 3/4 Provenance: The Estate of Gloria Schiff, 630 Park Avenue, New York
Antonio Bueno 1918 – 1984 Figure in Rosso side portrait of a girl with red background, oil on canvas, signed top right A. Bueno titled on stretcher 17 3/4 x 14
George Ehrenfried Grosz American/German, 1891 – 1959 Street Scene with Figures watercolor on paper signed lower right Grosz 12 x 9 1/2 Provenance: Estate of Dr. Thomas & Alice Kugelman, Bloomfield, Connecticut Gift of the artist to Dr. Bernhard Kugelmann 1900 – 1938, c. 1936, as thanks for bringing his belonging from Germany during the Nazi regime.
Albert Bierstadt American, 1830 – 1902
Butterfly
watercolor on paper
untitled
signed and dated lower left Albert Bierstadt, April 16/96
certificate of authenticity and provenance from Roberto J Cayuso
9 x 12 1/2
Louis Van Engelen Belgian, 1856 – 1941 Portrait of a Young Girl oil on panel signed lower left, inscribed upper center 14 x 10 1/2 Provenance: The Estate of Alina Roisen, Park Avenue, New York
Thomas Luny British, 1759 – 1837
Waves in Harbor
oil on canvas
signed Luny lower left
8 x 12
Provenance: The Vincent Family Collection, Fairfield, Connecticut
Georges Cyr French, 1880 – 1964
Paris Snow Scene
oil on masonite
signed lower left Cyr
20 x 24
Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut
Raymond Whyte 1923 – 2002
Still Life Flower in Urn with Figural Statue and Landscape Background
oil on board
signed R.A. Whyte lower right
8 x 10 1/4
Provenance: The Estate of Ed Brenner, Short Hills, New Jersey
Attributed to John Frederick Peto 1854 – 1907
Still Life with Pipe and Mug
oil on canvas
unsigned
partial Helen Pero Smiley, Island Heights label verso
8 1/8 x 10
Michel Charpentier
Les Huitres oysters
oil on board
signed M. Charpentire lower left
13 3/4 x 15 3/4
Provenance: From the Robert Circiello Collection, West Hartford, Connecticut
Albert Eugene Gallatin 1882 – 1952
Composition No. 35
oil on board
signed and dated verso A.E. Gallatin, October 1944
label verso with name, title and year
16 x 12
John Tenniel 1820 – 1914 Through the Looking Glass by John Tenniel, 1871 original pencil drawings set of three, Alice’s Adventures in Wonderland pencil drawings order of the script: left side Transformation sight size: 3 1/4 x 2 3/8 center: Alice and Kitty sight size: 4 1/2 x 3 1/2 right: and it really was a kitten after all sight size: 3 1/4 x 2 3/8 all signed and monogrammed along with a written letter by the artist talking about Alice in the Armchair bottom paragraph He now wasn’t some further alteration to be made in ‘Alice in the Armchair’, please send proof of head only. The last touched much will do….. – J. Tenniel Provenance: Bronson Winthrop who was a Philanthropist and socialite. From Paris moved to New York, who’s father was founding member of Knickerbocker Club, New York. To: Charlotte Cram who married Robert Fowler, Landscape Architect. To: Charlotte P. Fowler who married George Furse. To: Present owner, who is great, great niece of Bronson Winthrop. An original letter from John Tenniel is also included with Lot 635.
John Tenniel 1820 – 1914 set of three Alice in Wonderland drawings left: You are old, said the youth, as I mentioned before, and have grown most uncommonly fat yet you turned a back-somersault in at the door – pray, what is the reason of that – Alice’s Adventures in Wonderland by John Tenniel sight size: 3 3/4 x 4 1/4 center: Alice in Wonderland John Tenniel sight size: 3 3/4 x 3 1/4 right: I my youth, Father William replied to his son, I feared it might injure the brain but now that I’m perfectly sure I have none, why I do it again and again. Alice’s Adventures in Wonderland by John Tenniel sight size: 3 1/4 x 4 1/4 Provenance: Bronson Winthrop who was a Philanthropist and socialite. From Paris moved to New York, who’s father was founding member of Knickerbocker Club, New York. To: Charlotte Cram who married Robert Fowler, Landscape Architect. To: Charlotte P. Fowler who married George Furse. To: Present owner, who is great, great niece of Bronson Winthrop. An original letter from John Tenniel is also included with Lot 635.
Paul Lucien Maze 1887 – 1979
Still Life in a Grey Vase
pastel on paper
signed Paul Maze lower right
14 1/2 x 19
Acquavella Galleries, New York label verso
Provenance: Estate of William and Teresa Patton, Lake Ave Greenwich, Connecticut
Paul Lucien Maze 1887 – 1979
Red Roses in a White Flowered Vase, 1960
pastel on paper
signed P. Maze 60 lower right
Acquavella Galleries, New York label verso
15 x 22
Provenance: Estate of William and Teresa Patton, Lake Ave Greenwich, Connecticut.