French School, early 19th century, half-length portrait of a young man facing left, pencil and watercolor, signed lower left Borie, dated lower right 1811, monogrammed center (ACB? CAB?), 12 1/2″ x 10 1/2″. Provenance: Purchased by Robert L. White, Nantucket, MA, August, 1968. Estate of Wallace Bradway, New Haven, CT.
Mini Watercolor by John B. Hill, (born in Masir 1796, died in New York 1881), sight size 4 3/8″ x 3 1/8″. Provenance: Estate of Florence Yannios, Cheshire, CT.
Six Piece Group, to include three framed rug or tapestry fragments; bronze lion bust; bronze griffin plaque, etc.; largest 12 1/2″ x 10″. Provenance: Estate of Wallace Bradway, New Haven, CT.
Needlework Sampler, Adams Family Record, 1747 – 1796, wrought by Lucinda Knight, Hancock, New Hampshire, age 12 years, 19th century, 15 1/4″ x 19 3/4″. Provenance: An estate from Redding, CT.
Pair of Aaron Dean Fletcher (1817 – 1902) Portraits, Lucius and Matilda Weston of Springfield, Vermont, oils on canvas, Lucius dated June 22, 1836 AE 27 and Matilda 1836, AE19; along with a brooch painted on Lucius Weston; 26″ x 21″.
Micah Williams (American), portrait of a young man, charcoal and pastel on paper, circa 1830, (rebacked), 19″ x 23″. Provenance: Mink Hill Farms Antiques, Henniker, New Hampshire. Collection of Sascha Rockefeller.
Unknown Artist, primitive portrait of a young girl, pastel on paper, American, 12 1/4″ x 17″. Provenance: Christie’s Sale 6400, Lot 75. Collection of Sascha Rockefeller.
Unknown Artist, primitive child in red dress holding a rose, oil on canvas, in period frame, 23 1/2″ x 32″. Provenance: Collection of Sascha Rockefeller.
Pair of Primitive Portrait Paintings, to include a man holding a feather pen; along with a woman wearing a bonnet; oils on canvas, unsigned, 33 1/2″ x 28″. Provenance: Estate of Florence Yannios, Waterfront Home, Guilford, CT.
Attributed to Sir William Beechey, RA (1753 – 1829), portrait of a gentleman, in a white cravat and black overcoat, oil on canvas, sight size 30″ x 25″. Provenance: The Estate of Lillian B. Winters; Christie’s New York sale #7915, 10/2/96, lot 35.
Seven Piece French Porcelain Lot, having heavy gold trim, to include three compotes, two covered dishes, two shell shaped dishes; all with various hand painted flowers, 19th century, tallest 8 1/4 inches.
Oak Sunflower Chest, having lift top over carved three panel chest, each with sunflowers on square supports, original snipe hinges, circa 1700, height 26 1/2 inches, top 17″ x 47 1/2″.
Oak Joint Stool, having rectangle top, on block and turned legs, box stretchers, height 20 inches, top 10″ x 18″. Provenance: Estate of Wallace Bradway, New Haven, CT.
Oak Joint Stool, having rectangle top, on block and turned legs, box stretchers, height 21 1/2 inches, top 11″ x 18″. Provenance: Estate of Wallace Bradway, New Haven, CT.
Continental Walnut Armchair, having openwork carved arms and legs with turned stretchers, probably 18th century, height 48 inches. Provenance: Estate of Wallace Bradway, New Haven, CT.
Jacobean Oak Chest, two over three drawer, 17th – 18th century, height 38 1/2 inches, top 23 1/2″ x 38 1/2″. Provenance: Estate of Wallace Bradway, New Haven, CT.
Charles II Oak Wainscot Armchair, having carved panel back, circles over wood seat, carved skirt, turned supports, circa 1660, height 43 1/4 inches, seat height 15 3/4 inches. Provenance: Malcolm Franklin, Chicago. Estate of Wallace Bradway, New Haven, CT.
Oak Jacobean Side Chair, having paneled back and wood seat, set on block and turned legs, probably 17th – early 18th century, height 44 1/2 inches, seat height 17 1/2 inches. Provenance: Estate of Wallace Bradway, New Haven, CT.
English Oak Corner Hanging Cabinet, having two carved doors, height 35 1/2 inches, depth 16 inches. Provenance: The Connoisseur Antiques, Illinois. Estate of Wallace Bradway, New Haven, CT.
Two Oak Carver Type Side Chairs, having ring turned uprights and legs, along with three spindle backs, New England, height 39 inches, seat height 16 inches, Mabel Brady Garvan Collection. Provenance: Gift to Yale University Art Gallery, New Haven, Conn.
William & Mary Style Daybed, having caned back and seat, circa 1900, along with custom upholstered cushions, height 42 3/4 inches, width 74 1/4 inches, depth 24 3/8 in.
seat: 15 7/8 inches, Mabel Brady Garvan Collection. Provenance: Francis P. Garvan (1875–1937), New York by 1928; gift to Yale University Art Gallery, New Haven, Conn., 1930.
Japanese Satsuma Jar/Bowl, 19th century, Meiji period, compressed shape and decorated only around the neck with Arts & Craft style band, possibly missing a cover, possible two-character maker’s mark impressed on the side, diameter 9 inches.
Chinese Stoneware Double Container, Ming Dynasty (or older), possibly a brush washer, the rectangular shape covered with a jun yao-like glaze, length 8 1/2 inches.
Small Japanese Arita Porcelain Tripod Censer, Edo period (1603 – 1868), possibly Kakiemon, the zoomorphic legs support a body decorated with chrysanthemum flowers and leaves, height 5 inches. Provenance: Estate of James Dana English of New Haven to benefit the New Haven CT Museum.
Chinese Porcelain Vase, 19th century, bulbous body or rotating shape and tubular neck handles, covered overall with ain “iron rust” splashed glaze, height 14 inches.
Two Chinese Vases, to include a Longquan celadon vase, 19th century (or older), having a pear-shaped body, covered evenly with an olive green glaze, engaged zoomorphic and ring handles decorate the throat, foot displays iron rust color from firing, height 12 inches; along with a Famille Verte Rouleau with painted Asian scenes, height 17 1/2 inches.