Two Bob Stocksdale (American 1913-2003) Hand Carved Pieces
to include African black wood turned bowl, having a flared rim above a tapered body, along with small South African wild olive wood turned bowl, each inscribed with wood variety and signed Bob Stocksdale
tallest height 3 1/2 inches, diameter 6 1/2 inches
Provenance: From a Washington Depot Connecticut Collection
Two Bob Stocksdale (American 1913-2003) Hand Carved Pieces
to include one Brazilian rosewood turned bowl of circular form and rising on a footed base, one Brazilian Pernambuco wood turned bowl rising on footed base
tallest height 4 1/4 inches, diameter 7 1/4 inches
Provenance: From a Washington Depot Connecticut Collection
Two Bob Stocksdale (American 1913-2003) Hand Carved Pieces
to include Oregon yew wood turned bowl rising on footed based, Australian silkwood platter on slightly raised base, each inscribed with wood variety and signed Bob Stocksdale
platter diameter 15 inches, bowl height 5 1/4 inches
Provenance: From a Washington Depot Connecticut Collection
Bob Stocksdale (American 1913-2003) Hand Carved Bowl
Nicaraguan cocobolo wood bowl having tapering foot, inscribed with wood variety and signed Bob Stocksdale
height 4 inches, diameter 9 inches
Provenance: From a Washington Depot Connecticut Collection
Bramin Rosewood Danish Dining Table
having one leaf, 1967
height 28 inches, length 53 inches, width 35 inches, leaf 23 1/2 inches, top open 35″ x 76 1/2″
Provenance: From a Washington Depot Connecticut Collection
Set of Four Niels Otto Moller Rosewood Dining Chairs
having leather upholstery
height 31 inches, width 19 1/2 inches
Provenance: From a Washington Depot Connecticut Collection
Mid Century Modern Knoll Style Credenza
walnut and white laminate, four doors with chrome hardware opening to silverware drawers and adjustable shelves
height 29 inches, top 18″ x 75 1/2″
Knoll Style Modernica Sofa Set on Chrome Frame
height 29 1/2 inches, length 34 inches, width 31 inches
Provenance: From a Washington Depot Connecticut Collection
Erte (Russian / French 1892-1990)
“The Wave”, 1988
Cast bronze, edition 218/375
Signed on base “Erte” along with chalk, Vermillion, and “Sevenarts” foundry mark
Height 18 inches, length 16 inches
Erte (Russian/French 1892-1990)
“An Evening in 1921”, 1980
Cast Bronze, ed. H.C.
Signed on base “Erte” along with foundry mark Fine Art Acquisitions 1980
Height 15 1/2 inches
Three Dan DeLuz (Hawaiian American 1934-2012) Hand Carved Pieces
to include large Norfolk pine wood turned bowl, small mango turned wood bowl, along with small kukui turned wood bowl, each inscribed with wood variety and signed Dan DeLuz
tallest 9 inches
Provenance: From a Washington Depot Connecticut Collection
Erte (Russian / French 1892-1990)
“California” (Turquoise Dress) 1989
Serigraph with embossing and foil stamping, edition LXXXIV/CCC (84/300)
Pencil signed lower right Erte, published by Chromacomp Inc. New York, documentation on verso
33″ x 25 1/2″ image size
Provenance: Chalk and Vermilion Fine Arts
Erte (Russian / French 1892-1990)
“Tempest” (20’s Remembered Again) 1978
Serigraph, artist proof
Pencil signed lower right “Erte”, embossed publishing stamp Circle Fine Art Corp. lower right
16 1/2″ x 12″ image size
Provenance: Martin Lawrence Gallery
Chalk and Vermilion, Greenwich, Connecticut
Erte (Russian / French 1892-1990)
“Les Jolies Dames”
Serigraph, edition 75/300
Pencil signed lower right Erte, Circle Fine Arts publisher blindstamp lower left
18″ x 13 1/2″
Provenance: Park West Gallery, Boston, Massachusetts, certificate of authenticity on verso
Two: Anatole Krasnyansky (Ukrainian / American 1930-2023)
“Love is in the Air”
Offset lithograph artist proof
Signed in pen lower right “A. Krasnyansky”
15″ x 12″
“Let’s Make Music”
Offset lithograph artist proof
Signed in pen left
17″ x 14″
Provenance: D.C. Fine Art, certificate of authenticity on verso
Two: Jack Vettriano (Scottish B.1951)
“His Favourite Girl” 2006
Giclee print, edition 299/495
Signed bottom right
22″ x 18″
“Private Dancer” 2006
Giclee print, edition 299/495,
Signed bottom right
22″ x 18″
both retail for approximately $1,500 each
Two Framed Pieces
Leya Evelyn (20th Century)
Untitled (Circle in Square) 1981
Pastel on paper
Signed and dated lower right Leya Evelyn ’81
31 1/2″ x 24″ frame size
Condition: overall good condition
Stan Gregory (American B.1948)
Untitled Composition
Acrylic on paper
22 1/4″ x 23″ frame size
Two Framed Pieces
Jan Baltzell (American B.1948)
“View From My Studio, Madison”, 1980
Oil pastel on paper
Signed and dated lower right Baltzell ’80
18 1/4″ x 25 1/4″ frame size
Condition: overall good condition
Jeanne Garant (20th Century)
“Open Court III”
Serigraph, edition 2/2
Signed lower right Jeanne Garant
31 1/2″ x 24″ frame size
Condition: overall good condition
Stephen Springer Davis (American 20th/21st Century)
“Ginkgo Biloba”, 1979
Handmade rubber stamp marks on paper
Signed lower right S.Springer Davis
36 1/2″ x 28 3/4″ frame size
Condition: overall good condition, some paper undulation
Maurice Golubov (Russian 1905-1987)
Untitled Cubist Abstraction, circa 1945
Oil on canvas laid on board
Signed lower right M.Golubov
16″ x 20″ sight size
Provenance: Tibor de Nagy Gallery, Inc. 29 W. 57th St. New York, NY
Condition: overall good condition
ADOU (Chinese B. 1973)
“Man Wearing Republic Era Costume”, 2007
Gelatin silver print mounted on Dibond, edition 2/8
Signed, titled, and dated lower right
37″ x 45″
Provenance: Pace Macgill Gallery
Three: Michael Rasmussen (20th Century)
Untitled from Window Series I, II Series, 1981
Mixed media collage on paper
Signed and dated lower right Rasmussen X 1.81
28 1/4″ x 21 1/4″
Untitled from Window Series I, II Series, 1980
Mixed media collage on paper
Signed and dated lower right Rasmussen 10.80 VIII
28 1/4″ x 21 3/4″
Windows I, II, Series
Transfer collage, colored pencil on paper, 1980
Signed lower right “Rasmussen 10.80 V”
27 3/4″ x 20 3/4″
Two Framed Pieces to include
Ernst Barlach (German 1870-1938)
“Gestörter Aufbruch”, circa 1964
Lithograph
Signed lower right E Barlach
12″ x 15 1/2″
Provenance: Charlotte Anne Belenky Gallery, Ma
Yitzhak Yamin (Israeli B.1951)
Portrait of Three Boys
Charcoal on paper
Signed lower right Y.Yamin
17″ x 23 1/2″
Two Framed Pieces
Brian Wendler (American 20th Century)
Untitled Abstract, circa 1984
Oil on paper
Signed lower center B.W.
22 1/4″ x 18 1/2″ frame
Kerry Alfageme (20th Century)
“Continuation”, 1973
Silkscreen, edition 2/5
Signed and dated lower right Kerry Alfageme 1973
16 3/4″ x 23 1/2″ frame size
Condition: overall good condition
Two Framed Portrait Studies to include
Raphael Soyer (American 1899-1987)
Sitting Boy
Graphite in paper
Signed lower right Raphael Soyer
18″ x 14 1/2″
Provenance: Charlotte Anne Belenky Gallery, Ma
Emil Ganso (American 1895-1941)
Reclining Woman in Bed
Watercolor, pen and ink on paper
Signed lower right Ganso
13″ x 21″
Two Piece Framed Lot to include
Kiyoshi Saito (Japanese 1907-1997)
Winter in Nikko (Jyogyodo) 1969
Woodblock, edition 3/100
Signed in plate lower right
15 1/2″ x 24″
Clifton Karhu (American/Japanese 1927-2007)
“Kyoto III”, 1970
Woodblock, edition 22/100
Pencil signed lower right C.Karha 70
6″ x 6″
Giacomo Manzu (Italian 1908-1991)
“La Modella” (The Model)
Etching, edition 37/50
Pencil signed lower right
5 3/4″ x 8″
Provenance: Kennedy Galleries Inc. New York, New York
Walasse Ting (Chinese/American 1929-2010)
Untitled Red Abstract, 1964
Lithograph, Trial and Artist Proof
Signed and dated lower right Ting ’64, embossed stamp lower right
15 3/4″ x 20 1/2″
Slims Aarons (American 1916-2006)
“Las Brisas Hotel” circa 1968
Archival print, edition 2/150
Embossed signature lower right
Unframed
Provenance: Galerie prints by The Slim Aarons Prints Collection ($4,600)
60″ x 40″
George Henry Clements (American 1854-1935)
“Hoisting Sails” study of a sailboat on the ocean
Oil on board
Signed on verso “Clements”
5 1/2″ x 9″
Provenance: The Slater Memorial Museum, Norwich, Connecticut, October 4, 1982, signed certificate of authenticity
Arthur J. Hammond (American 1875-1958)
“Still Life of Fish on a Plate”, 1920
Oil on canvas board
Signed and dated lower right “A.J. Hammond 1920″
Inscription on verso
15 3/4″ x 20”
Provenance: Whitley Antiques and Gallery, Old Lyme, Connecticut March 20, 1986 ($1,000)
After Jan Vonck (Dutch 1631-1664)
“Still Life of Dead Song Birds”
Oil on wood panel
Unsigned
8 1/2″ x 14″
Restored by W. Freeman and Son, London
Provenance: Christie’s December 17, 2009 lot 135 ($625)
Attributed to Charles Waltensperger (Netherlands/America 1870-1931)
Full length portrait of a woman reading
Oil on board
Unsigned, label on verso
14″ x 11″
Provenance: Nadeau’s Auction Gallery, January 1, 2017
Larry Stuart Bell (American B.1939)
“PCF 14″, 1978
Mixed media, vaporized aluminum and silicon monoxide on paper
Signed and dated bottom center L.Bell 78, titled on verso
50″ x 37 1/2”
Larry Stuart Bell (American B.1939)
“AMF II”, 1978
Mixed media, vaporized aluminum and silicon monoxide on paper
Signed and dated bottom center L.Bell 78, titled on verso
52″ x 42″
Nickolas Muray (Hungarian 1892-1965)
“Frida and Diego with Hat”
Platinum print #26 from a limited edition of 39 prints and five artist proofs by Sal Lopes
11″ x 10″
Provenance: Nickolas Muray Photo Archives ($2,500)
Nickolas Muray ( Hungarian 1892-1965)
“Frida Kahlo The Classic Portrait”, circa 1939
Carbon pigment print by Tod Gangler, edition 7/30
Signed and inscribed on verso by Nickolas Muray Photo Archives
15″ x 12″
Provenance: Nickolas Muray Photo Archives ($6,500)
Nickolas Muray (Hungarian 1892-1965)
“Frida Painting Two Fridas” circa 1939
Platinum print by Sal Lopes, Artist Proof 5/5
Inscribed and signed on verso along with Estate of Nickolas Muray stamp
along with a poster of Frida painting “Me and My Parrots”
11″ x 11″ image size
Provenance: Nickolas Muray Photo Archives
