Unknown artist (19th century)
Middle Eastern scene featuring a group of men sitting beneath palm trees
Watercolor
Unsigned
5″ x 7″
Provenance: Christie’s, October 14, 1993
Sale 7740, Lot 165
Estate of William J Levy Park Avenue, New York
Maurice Brianchon (French 1899-1979)
Interior scene
Watercolor gouache on paper
Signed lower right “Brianchon”
Sight Size 8″ x 10″
Provenance: Sold at Christie’s February 22, 1985
Estate of William J Levy Park Avenue, New York
Frances Hopkinson Smith (American 1838-1915)
“A British Harbor Scene”
Mixed media, watercolor on paper
Signed and inscribed lower left “F. Hopkinson Smith”
23 1/2″ x 12 3/4″
Label on verso Thomas McLean Printseller & Publisher, London
Provenance: Purchased from Christie’s, New York, May 29, 1987, lot 101 ($4,400)
Estate of William J Levy Park Avenue, New York
After Thomas Moran (American 1837-1926)
Cherokee Rose, 1876
Watercolor on paper
Monogrammed lower left “TM” and dated 1876, titled lower right and on verso
Sight size 8 1/2″ x 5 1/2″
Four Chinese Watercolor Scrolls to include
Watercolor on silk of a bird perched on a branch
Red signature stamp lower right
Watercolor on paper of a mountain landscape with three figures
Character marks lower right
One having building
One having characters
Image size 38″ x 14 1/2″
Provenance: Private collection of Dr. Hope Fitz
Four Piece Framed Chinese Embroidery Group
to include pair of Chinese silk sleeves with gold thread having floral, grasshopper, and butterfly motif
Chinese arched embroidered panel having horse and people in a landscape Kong Hsi style
Blue and gold thread embroidery panel featuring a phoenix in the center surrounded by a floral border
Largest frame 17 1/2″ x 15″
Provenance: Private collection of Dr. Hope Fitz
L.A. Art Box label on verso, having East/West Gallery receipt
Six Framed Asian Watercolors on Tissue Paper
to include three embossed ceremonial figures marching, two Geishas one of which is playing an instrument, along with two full length portraits of men in ceremonial garb
in gilt and silvered frames
largest frame 20″ x 14 1/2″
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Three Piece Asian Group to include
Chinese peacock feathered fan
having gouache figure and floral motif, pierced bone handle and silk tassel,
19th century, now in silvered frame
largest frame 17″ x 25″
along with pair of Japanese hand colored woodblocks,
marked Tiago, one of Iris the other of morning glories
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Pair of Chinese Export Junks/Boats
One featuring three men in a covered boat inscribed “Dollan boat”
One featuring five people in a covered board inscribed lower left “chos. boat”
Watercolor on tissue paper
13″ x 15″ each
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Two Piece Asian Lot
to include Tibetan style Thangka 18th century or later featuring on 11 headed deity (Guanyin or Avalokiteshvara) standing between the heavens and the underworld, gouache on silk mounted on paper, along with reverse glass painted mirror of a Geisha and fruit
largest frame 39″ x 16 1/4″
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Pair of Framed Chinese Silk Embroidered Sleeve Bands
Featuring a mirrored image of a man in a boat, trumpet players, mountains, clouds, etcetera
Having character marks throughout, red embroidered signature marks
Frame size 32 1/2″ x 14″
Provenance: Provenance: Private collection of Dr. Hope Fitz
East West Gallery 1979 Grace Nicholson Collection
Six Chinese Framed Pieces
to include Pair of Chinese floral and butterfly pieces having mirror border, 19th century
11 3/4″ x 14″
Four floral and butterfly pieces in gilt frames
10″ x 15″
Provenance: The Old Print Shop, Lexington, New York
Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
13 Piece Asian Group of Framed Art to include
Set of three hand painted manuscript
Set of five small woodblock print landscape scenes
Along with five woodblock prints of Geisha
Largest sight size 19 1/2″ x 14″
Group of Five Framed Hand Painted Manuscripts
Three matching with warriors on horseback, one having red board and gold decorated landscape, along with one having two figures under a fruit tree
Largest sight size 9 3/4″ x 5 1/2″
Large Group of Indo Persian Illuminated Manuscripts
gouache on paper
some depicting warriors on horseback, courtyard scenes, scene with figure in boats etcetera,
some unframed
larges 17″ x 13″
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Pair of Illuminated Manuscripts “Book of Hours” Pages
Hand painted on vellum having gold leaf border
School of Matre Francoise, circa 15th century or later
(Both front and back pages visible in frame)
6″ x 4″
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Egyptian Hand Stitched Quilt Wall Hanging Tapestry
in shadow box frame having figures of camels
Provenance:Estate of William J Levy Park Avenue, New York
Illuminated Firman Bearing the Tughra of Sultan Mehmed IV
Turkey, Ottoman, Istanbul
this manuscript on paper having eleven full lines along with two partial lines written in large Diwani script in black and gold ink
height 76 inches, width 31 inches
Hand Painted Tibetan Thangka or Scroll
Image
Having painted center circle surrounding a square and a central circle, painted figures in landscape ground
Image size 22″ x 16″
Provenance: Private collection of Dr. Hope Fitz
Framed Wall Hanging Panel
fragment panel, silk embroidered having butterfly lotus flower motif in custom wood frame with silk border
61″ x 32″ fragment, frame size 70″ x 40″
Leather Hand Painted Four Panel Dressing Screen
three panels having tears
height 60 inches, length 85 inches
Provenance:Estate of William J Levy Park Avenue, New York
Tibetan Thangka
Watercolor on canvas (18th Century or Later)
Depicting the Field of Merit with Tsongkhapa, founder of the Gelugpa School of Buddhism seated in the center above a lineage of teachers
34″ x 23″
Japanese Four Panel Meiji Paper Screen
mariage style paper screen having raised royal chrysanthemums on gold leaf with silk brocade edging, lacquered frame, Condition: excellent condition, minor restorations to gold leaf and backing
dimensions of each panel 25″ x 57 3/4″, overall 100″ x 57 3/4″
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Navajo Textile Blanket
handwoven in geometric design in red, orange, grey, and green colors, chief pattern made in two parts, mounted in plexiglass frame
blanket size 82″ x 44″
Navajo Ganado or Southwest Rug
handwoven wool having geometric design in brown, tan, red, and grey colors, mounted in plexiglass frame
rug size 74″ x 56″, frame size 82″ x 62″
Large Cocktail Table
made from vintage four panel Chinese coromandel screen, set in dark brown lacquered base, having inset glass
height 18 1/2 inches, top 38 1/2″ x 61″
Provenance: Property from a private collection designed by Cullman & Kravis Inc. purchased from Yale Burge Antiques 3/7/01 ($8,700)
Federal Mahogany Games Table
having concave shaped top over conforming skirt with maple panel and line inlays, all set on square tapered legs, circa 1790
height 29 inches, top 17″ x 36″
Assembled Set of Six Federal Tiger Maple Chairs having Caned Seats
two armchairs with matching side chairs along with two near matching side chairs
two armchairs height 32 3/4 inches, height of near matching side chairs 32 inches
George III Mahogany Piecrust Tip Tea Table
on turned shaft with tripod base ending in ball and claw feet, circa 1760
height 29 inches, top 31 1/4″ x 32″
Provenance:Estate of William J Levy Park Avenue, New York
Queen Anne Lowboy
having single long drawer over three short drawers raised on cabriole legs ending in pad feet, circa 1750
height 30 1/2 inches, top 22 1/2″ x 33″
George III Mahogany Piecrust Tip and Turn Tea Table
on carved and stop fluted shaft on tripod base having carved knees and ball and claw feet, circa 1760, chips at top of tripod base
height 28 inches, top 33 1/2″ x 34 1/2″
Provenance:Estate of William J Levy Park Avenue, New York
Walnut Step Back Cupboard
in two parts, the upper section having two glazed doors and two drawers on lower section with three drawers over two doors all raised on ball feet
height 86 inches, top 19 1/2″ x 50″
Timothy Chandler Cherry Tall Case Clock
having three brass finials, fretwork top over tombstone door over long door flanked by fluted 1/4 columns all set on bracket base, painted metal dial with moonphase and ship with second hand, calendar, and American shields signed Tim Chandler Concord
height 93 inches
Provenance: Whittemore Estate Westerly, Rhode Island
Silas Parsons Cherry Tall Case Clock
having three brass finials and fretwork top over tombstone waist door, flanked by fluted quarter column, all set on ogee feet, enameled metal dial with secondhand, calendar, and brass works signed Silas Parsons, circa 1800 New Hampshire, feet replaced
Provenance: Whittemore Estate Westerly, Rhode Island
Chippendale Cherry Secretary Desk
in two sections, the upper section having carved broken arch pediment top over twin blind doors over lower section having having slant lid opening to interior with reverse serpentine form of drawers, over reverse serpentine drawers all raised on large ogee feet, circa 1760
height 84 inches, upper width 36 3/4 inches