Two Chinese Porcelain Brush Pots
one Wucai style having warriors on horseback scene, red character seal to base, 19th century, height 5 1/4 inches
one having boys playing in a garden scene with character marks to pot body and base, height 5 3/4 inches
Provenance: David R. Scarborough Estate Kennebunkport, Maine
Chinese Export Porcelain Vase
having painted scholar and warrior motif, character marks throughout, red signature stamps, having gilt bronze mounts on top flared rim and foot, appears to be in good condition
height 9 1/2 inches, diameter 5 inches
Chinese Porcelain Nine Peaches Vase
bottle neck form, having six character marks to base, top rim appears to be cut off and refired
height 11 3/8 inches, diameter 7 inches
Chinese Cloisonne Enamel Ewer
having square body set on pedestal base, hardstone finial along with carved hardstone inlaid center plaque surrounded by moth and chrysanthemum motif
height 15 1/2 inches
Pair of Chinese Ceramic Figural Stands
in the form of kneeling men holding up a round dish, each set on square alters, in Sancai style
height 25 inches
Provenance:Estate of William J Levy Park Avenue, New York
Chinese Export Porcelain Vase Fitted as Lamp
of baluster form and decorated with figures amidst garden accessories on a white ground, foo dog handles
vase height 13 inches
Pair of Japanese Porcelain Arita Vases
Meiji style having scalloped trumpet mouths and decorated with ceremonial flower motifs, now mounted as lamps
height 14 1/2 inches
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Three Piece Japanese Group to include
two Japanese Satsuma vases and one vase
having elephant handles and brass mounted neck and base
now a table lamp
height 21 inches
along with, one vase
having raised floral design
character marked on bottom, meiji style
height 6 1/2 inches
along with, Japanese blue cloisonne vase
having bird, butterfly, and morning glory design
now mounted as a lamp
height 10 inches
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Three Piece Carved Group
to include Chinese rose phoenix featuring a perched bird standing upon a tree branch set on wooden base
quarts height 10 inches, Chinese carved lavender quartz vessel supported by two griffin/phoenix birds and finial (broken) on wooden base height 11 1/2 inches, along with small carved hardstone piece of two bats circling a medallion length 2 1/2 inches
Provenance: Private collection of Dr. Hope Fitz
Group of Nine Chinese Tibetan Pieces
to include Tibetan style bronze standing Buddha dressed in headdress and flowing cape, standing on lotus base
height 20 1/2 inches, bronze seated Buddha sitting cross legged on lotus throne with hands positioned in meditation height 12 inches, bronze Southeast Asian Shiva and Parvati the Shiva and his wife Parvati holding hands standing in ornate dress on top of a lotus throne height 12 inches, length 7 inches,
four small Hindu bronze deity figures to include elephant god “Ganesh” monkey god “Hanuman”, two figures of the goddess “Parvati” one standing on a lotus throne one seated, several having gilt elements tallest 6 inches, early asian carved sandstone head of a Buddha carved and giltwood Hindu deity total height 4 inches, head height 2 1/2 inches
Provenance: Private collection of Dr. Hope Fitz
“Smoking Turk” Music Box Automation
featuring a ceramic seated figure sitting cross legged on an embroidered cushion, one hand holding a narghile water pipe, the other open (once holding a fan), marked on underside “Marcheturque- Mozart Smoke Gets in Your Eyes” Reuge Movement made in Switzerland
height 12 inches, top 8″ x 8″
Condition: currently in working condition
Chinese Porcelain Oxblood Langyao Vase
of bottle form having pale celadon at the neck, “Sang de Boeuf” glaze now mounted as a table lamp, 19th century
vase 16 inches, diameter approximately 9 inches
Provenance:Estate of William J Levy Park Avenue, New York
Six Chinese Porcelain Plates to include
four deep dish plates having four character marks to base,
famille verte scallop rimmed plate having pheasant and dragon motif,
blue character to base
plate having pheasant and bird design
largest diameter 8 1/2 inches
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Five Piece Chinese Porcelain Group
famille rose ginger pot having painted garden scene, small cache pot with cover painted with wild flowers, Chinese covered ginger pot, saucer, and an Imari plate
Chinese covered ginger pot height 8 1/2 inches
Provenance:Estate of William J Levy Park Avenue, New York
Chinese Famille Rose Porcelain Covered Pot
having painted wild flowers, scrolling trees, butterflies, molde peach for handle
diameter 11 1/2 inches, height 8 inches
Pair of Chinese Porcelain Tulip Holders
blue and white with painted dragons, bats, rope twist handles
length 8.5 inches, width 8.5 inches, height 10 1/2 inches
Pair of Large Palace Blue and White Chinese Porcelain Urns/Vases
having painted scrolling vine and four claw dragon motif of baluster form
height 26 inches, diameter approximately 16 inches
14 Piece Chinese Export
blue and white three bowls, 11 plates
largest diameter 10 1/2 inches, bowl diameter 9 inches
Provenance:Estate of William J Levy Park Avenue, New York
17 Piece Rose Medallion Lot
to include two pairs of vases, creamer, bowls, cups, and saucers
tallest 9 1/2 inches
Provenance: David R. Scarborough Estate Kennebunkport, Maine
Seven Chinese Porcelain Plates
to include pair of Chinese Export porcelain armorial plates of octagonal form gilt blue and white high relief border with coat of arms featuring a motif above three pheasants in a banner surrounded by wreath, along with two blue and white plates, and a pair of famille rose plates, and a blue glazed charger
armorial plates diameter 8 3/4 inches, blue glazed charger diameter 11 1/2 inches
Provenance:Estate of William J Levy Park Avenue, New York
Cut Corner Famille Rose Butterfly Bowl
1st half of the 19th century
diameter 10 inches
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
Pair of Chinese Famille Rose Gu Vases
decorated with figural cartouches, floral sprays, and butterflies, unmarked base, 19th century
height 15 inches
Provenance: Thomas F. Vanderbeck Revocable Trust Haddam, Connecticut
After Thomas Cole (British 1801-1848)
“View of Mount Etna from Taormina”
Oil on canvas
Signed illegibly lower left, dated lower left 1854
40″ x 50″
Condition: restretched, relined canvas, craquelure, inpainting
John Severinus Conway (American 1852-1925)
“Roman Compagna” (Ruins in italy), 1891
Oil on board
Signed and dated lower right “JSC 1891″
9 3/4″ x 25 1/4”
Provenance: Kennedy Galleries INC., NYC
Attributed to Henry John Yeend King (British 1855-1924)
“In the Isle of Man Ballaugh Glen”
Oil on canvas
Signed lower left “Yeend King”
Artist biography on verso and label
18″ x 24″
Henry Muhrman (American 1854-1916)
“Washing Day on the Seine”
Pastel on paper
Signed bottom center “H. Muhrman”
Label on verso
18 1/2″ x 15″
Provenance:Estate of William J Levy Park Avenue, New York
Dubois Fenelon Hasbrouck (America 1860-1934)
Woodland landscape featuring two small figures walking along a path
Oil on board, in ornate gilt frame
Signed lower left D.F. Hasbrouck
10″ x 12″
Condition: edge wear, paint loss concentrating center right, craquelure, inpainting
Still Life of Wild Flowers in a Vase
Resting on cloth with cherub figures, 19th century
Oil on panel
Unsigned
8″ x 10″
Condition: bowed panel, edge wear, some paint loss
Yvonne Canu (French 1921-2007)
“Notre Dame, on the Seine”
Oil on canvas
Signed lower left “Canu”
Inscribed on verso “laurie d’odette y. canu”
18″ x 15″
Pauline Wissant (19th century)
French Landscape Having Riders on Horseback, Farm Trade Outside of the Castle
Oil on canvas
Signed lower left P. Wissant
23″ x 36″
Provenance: from a Beverly Hills, California collection
Condition: under glass, minor paint chipping, edge wear, surface grime
Black light: heavy varnish, inpainting concentrating in edges, some staining, see photos
Provenance: from a Beverly Hills, California collection
Circle of Jean-Baptiste Pater (French 1695 – 1736)
Carnival, Musical Street Performance with a Black Bear and Dogs
Oil on canvas
Unsigned
40″ x 60″
Provenance: from a Beverly Hills, California collection
Condition: surface grime, large abrasion center left, minor scratches, edge and frame wear, relined
Provenance: from a Beverly Hills, California collection
George Loring Brown (American 1814-1889)
Classical Ruins (landscape with temple ruins of antiquity)
Oil on canvas
34″ x 54″
Condition: having restoration work done, relined and restretched canvas, inpainting, paint loss to sky
Provenance: Kennedy Galleries Inc., NYC
Attributed to Niccolo De Simone (Italian 1636 – 1677)
“Moses Bringing Water Back from the Rock”
Oil on canvas
Unsigned
30″ x 40″
Provenance: from a Beverly Hills, California collection
Condition: relined and restretched, craquelure throughout, some paint loss, edge wear
Black light: heavy varnish, heavy inpainting throughout concentrating in corners and figures, see photos
Provenance: from a Beverly Hills, California collection
Pair of Chinese Watercolor Scrolls Depicting Catholic Religious Scenes
one depicting a dying man receiving his last rights by a priest before his ascent to heaven, one depicting an evil man dying before his descent to hell
frame size 56 1/2″ x 31 1/2″
Flemish School Old Master Landscape (Circle of Nicolaes Berchem)
Flight into Egypt, with the Holy Family in foreground being guided by winged angels and a cherub
Oil on canvas
Unsigned
38″ x 49″
Provenance: from a Beverly Hills, California collection
Condition: craquelure, surface grime, some mold, edge wear, minor abrasions
Black light: heavy varnish, heavy inpainting and restoration work throughout concentrating lower right and bottom, see photos
Provenance: from a Beverly Hills, California collection
Marked with, Attributed to Sir Thomas Lawrence (British 1769-1830)
Sketch page from sketchbook learning Michelangelo’s technique
Brown ink on paper
Stamped lower left “TL”
5 1/2″ x 8″
Provenance: From the Martilli and Lawrence Collections
Pair Johann Martin Metz (German, 1717-1790)
Floral still life having white hydrangeas, pink and blue flowers in glass
Floral still life having sunflower, daisies in wicker basket with moth
Oil on canvas
Signed lower center “J.M. Metz” and dated 1787
19″ x 15″ each
Condition: Both restretched and relined canvas, craquelure throughout, restoration work, some recent scuff marks
Provenance: From Collection of Steven and Paula Schimmel Woodstock, Connecticut