Current Auctions

  • Lot 458: Douglas Atwill (American B.1933)

    Douglas Atwill (American B.1933)
    Desert Landscape with Mesa Plateau
    Oil on canvas
    58″ x 54″
    Condition: overall good condition, some edge ware, a few scuffs to canvas

    Estimate: $2000 - $4000

  • Lot 459: Carlo Canevari (Italian 1922-1996)

    Carlo Canevari (Italian 1922-1996)
    “Handstand” (two nuns and a priest watching an acrobat)
    Oil on wood panel
    Signed lower right Carlo Canevari
    13 1/2″ x 10 1/4″
    Provenance: Frank J. Oehlschlaeger Gallery, Chicago, IL ($575)
    Condition: overall good condition, subtle inpainting upper right, water damage mark to frame lower left

    Estimate: $500 - $1000

  • Lot 460: Max Kuehne (German/American 1880-1968)

    Max Kuehne (German/American 1880-1968)
    “The White Church”
    Watercolor on paper
    Signed lower left Kuehne
    14 1/2″ x 20″
    Provenance: Provenance: From a Bloomfield, Connecticut estate,
    Eldred’s, July 30, 2021, lot 2041 ($850)
    Condition: overall very good condition, some undulation to paper, framed under glass

    Estimate: $500 - $1000

  • Lot 461: Jean Dufy (French 1888-1964)

    Jean Dufy (French 1888-1964)
    La Seine a Notre Dame, View of Paris
    Watercolor on paper
    Signed lower left Jean Dufy
    17″ x 23″
    Provenance: Nadeau’s Auction Gallery, January 1, 2018 ($3,750)
    Condition: presents well, framed under glass, some water damage to lower border

    Estimate: $2000 - $4000

  • Lot 462: Aaron Draper Shattuck (American 1832-1928)

    Aaron Draper Shattuck (American 1832-1928)
    “Brilliant Light” Simsbury CT, trees, stone and
    bridge
    Pencil sketch/wash on gray paper
    Titled and dated lower left “Brilliant Light coming
    in from right, Simsbury Conn. Sept 29, 1866″
    12″ x 18”
    Certificate of Provenance on verso, dated Oct. 10,
    1969 New Britain CT
    Provenance: Estate from Old Lyme, Connecticut
    Condition: loose in frame, some acid burn from the matting, tear lower right, some creasing

    Estimate: $300 - $500

  • Lot 463: Set of Three: Peter Loftus (American B.1948)

    Set of Three: Peter Loftus (American B.1948)
    “California Field Study, Coastal Evergreens, Variation #1″, 1981
    Watercolor and gouache on paper
    Signed and dated lower right Loftus 6/11/81
    8″ x 8 1/2” sight size
    “Dunes of Ano Nuevo, Field Study for #16″, 1981
    Watercolor and gouache on paper
    Signed and dated lower left Peter Loftus 1981
    8″ x 8 1/2” sight size
    “Dunes of Ano Nuevo, Field Study for #18″, 1981
    Watercolor and gouache on paper
    Signed and dated lower left Loftus 5/29/81
    8″ x 8 1/2” sight size
    Provenance: Fischbach Gallery, NYC, New York
    Condition: overall good condition

    Estimate: $500 - $1000

  • Lot 464: Marie Laurencin (French 1883-1956)

    Marie Laurencin (French 1883-1956)
    Portrait of a Mother and Daughter
    Depicting a woman with a laurel wreath crown holding a young girl in a blue striped dress
    Watercolor on paper
    Signed in pencil lower left Marie Laurencin
    13 1/2″ x 10″ sight size
    Provenance: Kennedy and Co., Rare Prints, New York
    Condition: overall good condition, some possible foxing, undulation to paper due to watercolor

    Estimate: $6000 - $8000

  • Lot 465: Kathe Schmidt Kollwitz (Russian/German 1867-1945)

    Kathe Schmidt Kollwitz (Russian/German 1867-1945)
    “Sitzende Frau” (Woman Seated)
    Charcoal on laid paper
    Signed lower right Kollwitz
    22″ x 14 1/2″
    Condition: the piece presents well, the paper has yellowed some due to age, some possible staining upper left

    Estimate: $30000 - $50000

  • Lot 466: Diego Rivera (Mexican 1889-1957)

    Diego Rivera (Mexican 1889-1957)
    “Pheasant Woman”, 1936
    Portrait of a Woman in a Hat
    Pencil on paper
    Signed and dated lower right Diego Rivera 36′
    14 1/5″ x 10″
    Provenance: Charlotte Anne Belenky Gallery, Longmeadow, MA
    Condition: presents well, some creasing and wrinkling to paper, staining lower left

    Estimate: $5000 - $8000

  • Lot 467: George Ehrenfried Grosz (German 1891-1959) Doubled Sided Piece

    George Ehrenfried Grosz (German 1891-1959) Doubled Sided Piece
    Two Gentlemen by a Park Bench
    Pen and ink on paper
    Pencil signed lower right Grosz
    22″ x 16″
    Gentleman with a Horned Crown
    Pen and ink on paper
    18 1/4″ x 11 3/4″
    Condition: presents well, both in one double sided frame undulation and wrinkling to paper, some yellowing, stain upper left

    Estimate: $5000 - $8000

  • Lot 468: Henri de Toulouse-Lautrec (French 1864-1901)

    Henri de Toulouse-Lautrec (French 1864-1901)
    “À La Gaieté Rochechouart: Nicolle”, 1893
    Lithograph, from the edition of 100
    Artist’s red monogram stamp lower left, published by L’Escarmouche, Paris.
    14 1/2″ x 10″ sight
    Literature: Götz Adriani, “Toulouse-Lautrec: The Complete Graphic Works; A Catalogue Raisonné,” New York, 1988, no. 53
    Condition: presents well, possible acid burn from matting

    Estimate: $1000 - $3000

  • Lot 469: Augustus Edwin John (British 1878-1961)

    Augustus Edwin John (British 1878-1961)
    “A Woman in a Long Dress”
    Graphite on paper
    Signed lower right John
    15 1/2″ x 9 3/4″
    Provenance: Christies, February 1, 2024, lot 176
    Exhibited: Boston Museum of Fine Arts, Special Loan Exhibition of British Paintings
    Condition: overall good condition

    Estimate: $3000 - $5000

  • Lot 470: After Pierre-Auguste Renoir (French 1841-1919)

    After Pierre-Auguste Renoir (French 1841-1919)
    “Jeune Filles aux Pommes”
    Red lithograph on paper
    Signed lower right in plate Renoir
    9″ x 6″
    Provenance: Christies tag
    Condition: overall good condition, possible small mark lower center

    Estimate: $200 - $400

  • Lot 471: Follower of Francesco Guardi (Venice 1712-1793)

    Follower of Francesco Guardi (Venice 1712-1793)
    A man and a child approaching a portico towards a campiello
    Pen and brown ink wash on laid paper
    Watermark initials VO
    7 1/2″ x 5 1/2″
    Provenance: Christies, February 1, 2024, sale 22326 lot 51, label verso
    Condition: overall good condition, some undulation to laid paper, some yellowing due to age

    Estimate: $300 - $500

  • Lot 472: Pablo Picasso (Spanish 1881-1973)

    Pablo Picasso (Spanish 1881-1973)
    “Le Repos de Sculpteur IV” plate 65 from La Suite Vollard, circa 1933
    Etching on laid Montval paper, with Vollard watermark
    Pencil signed lower right Picasso
    13 1/2″ x 17 1/2″ sheet size 7 1/2″ x 10 1/2″ plate size
    Condition: the piece presents well, unframed laid paper, watermark, yellowing due to age, some foxing, crease to upper right corner, some undulation to paper

    Estimate: $5000 - $10000

  • Lot 473: Pablo Picasso (Spanish 1881-1973)

    Pablo Picasso (Spanish 1881-1973)
    “Famille de Saltimbanques” plate 54 from La Suite Vollard, circa 1933
    Etching on laid Montval paper, with Vollard watermark
    Pencil signed lower right Picasso
    13 1/2″ x 17 1/2″ sheet size 7 1/2″ x 10 1/2″ plate size
    Condition: the piece presents well, unframed laid paper, watermark, yellowing due to age, some foxing, appears to be a repair to the man’s chest, some undulation to paper

    Estimate: $2000 - $4000

  • Lot 474: Pablo Picasso (Spanish 1881-1973)

    Pablo Picasso (Spanish 1881-1973)
    “Repos de Sculpteur Devant le Jeune Cavalier” plate 55 from La Suite Vollard, circa 1933
    Etching on laid Montval paper, with Picasso watermark
    Pencil signed lower right Picasso
    13 1/2″ x 17 1/2″ sheet size 7 1/2″ x 10 1/2″ plate size
    Condition: the piece presents well, unframed laid paper, watermark, yellowing due to age, some foxing, crease to upper right corner, small scuff upper left, some undulation to paper

    Estimate: $3000 - $5000

  • Lot 475: Pablo Picasso (Spanish 1881-1973)

    Pablo Picasso (Spanish 1881-1973)
    “Femme Dans L’Atelier”, 1956
    Collotype with pochoir printed in color, edition 315/350
    Pencil signed lower right Picasso, with blindstamp of publisher Guy Spitzer
    18 1/2″ x 22″ image size
    Condition: overall good condition, slight yellowing to paper, small water damage on the right border

    Estimate: $10000 - $20000

  • Lot 476: Hermann Ottomar Herzog (German/American 1832-1932)

    Hermann Ottomar Herzog (German/American 1832-1932)
    Waterfall and Loggers in the Mountains of Hallingdal, Norway, 1858
    Oil on canvas
    Signed and dated lower right H.Herzog ’58
    24″ x 36″
    Condition: presents well, relined and restretched canvas, craquelure throughout, heavy varnish throughout hindering the view of any inpainting underneath, surface grime

    Estimate: $2000 - $4000

  • Lot 477: Hendrik-Dirk Kruseman Van Elten (Dutch/American 1829-1904)

    Hendrik-Dirk Kruseman Van Elten (Dutch/American 1829-1904)
    “Cottage on the Bay”
    Depicting a forest landscape with a woman, chickens and sailboat in the background
    Oil on canvas
    Signed lower left Kruseman Van Elten, museum labels on verso
    16″ x 23″
    Provenance: Brooklyn Museum of Arts and Science
    Condition: relined and restretched canvas, craquelure throughout concentrating to left border having flaking paint, and inpainting, repaired horizontal patch to sky, some inpainting visible lower right corner

    Estimate: $2000 - $4000

  • Lot 478: Attributed to Samuel Coleman (American 1832-1920)

    Attributed to Samuel Coleman (American 1832-1920)
    Landscape with a Bridge over a Waterfall
    Depicting a couple waving in the foreground to figures in the distance
    Oil on canvas
    Unsigned
    24″ x 15″
    Condition: presents well, relined and restretched canvas, craquelure throughout, heavy varnish, inpainting visible under black light, inpainting concentrating along borders, upper left border, horizontal repair to sky with inpainting, lower right rock area

    Estimate: $1000 - $2000

  • Lot 479: Henry Pember Smith (American 1854-1907)

    Henry Pember Smith (American 1854-1907)
    Cottage by a Stream
    Oil on canvas
    Signed lower left Henry P Smith
    20″ x 30″
    Condition: presents well, relined and restretched canvas, craquelure throughout, heavy varnish concentrating in lower half of canvas, inpainting visible under black light, concentrating along borders and small marks to sky, surface grime

    Estimate: $800 - $1200

  • Lot 480: George Augustus Williams (British 1814-1901)

    George Augustus Williams (British 1814-1901)
    “Road Through the Woods”
    Forest landscape with women drawing water from a well and a cottage in the distance
    Oil on canvas
    Unsigned, label on verso with title, name plate on frame
    24″ x 20″
    Provenance: A collection from Southbury, Connecticut
    Condition: presents well, relined and restretched canvas, craquelure throughout, heavy varnish concentrating in upper half of canvas, inpainting visible under black light, inpainting concentrating along borders

    Estimate: $500 - $1000

  • Lot 481: Attributed to William Howard Hart (American 1863-1937)

    Attributed to William Howard Hart (American 1863-1937)
    Autumn Landscape with Cows and Horse in the Background
    Oil on board
    Unsigned, plaque labeled W.Hart
    15″ x 19″
    Condition: presents well, relined and restretched canvas, appears to be affixed to board, subtle craquelure throughout, heavy varnish throughout concentrating in the trees and grass, little to no inpainting visible, surface grime

    Estimate: $800 - $1200

  • Lot 482: Horace Wolcott Robbins Jr. (American 1842-1904)

    Horace Wolcott Robbins Jr. (American 1842-1904)
    Forest Path to the River
    Oil on canvas
    Signed lower left H.W. Robbins N.A.
    30″ x 25″
    Condition: original stretched canvas, craquelure throughout, edge ware, patch mark repair to verso, heavy varnish, inpainting concentrating around repair (center right), surface grime, remnants of old label

    Estimate: $3000 - $5000

  • Lot 483: Edmund Aylburton Willis (American 1808-1899)

    Edmund Aylburton Willis (American 1808-1899)
    Sporting Scene with Dogs and Pheasants, 1872
    Oil on canvas
    Signed and dated lower right A.V Willis 1872
    22″ x 36″
    Condition: overall good condition, relined and restretched canvas, some edge ware, inpainting throughout, concentrating in sky, dogs, bottom center, craquelure throughout

    Estimate: $500 - $1000

  • Lot 484: George Lafayette Clough (American 1824-1901)

    George Lafayette Clough (American 1824-1901)
    “Waterfront Scene”
    featuring fishermen bringing their boats to shore
    Oil on canvas
    Signed lower left “G.L. Clough”
    14″ x 24″
    Condition: overall good condition, relined and restretched canvas, some edge ware

    Estimate: $2000 - $4000

  • Lot 485: Frank Percy Wild (British/American 1861-1950)

    Frank Percy Wild (British/American 1861-1950)
    Full length portrait of an Edwardian mother, daughter and dog in a boat
    Oil on canvas
    Signed lower left F.Percy Wild
    50″ x 40″
    Condition: the piece presents well, relined and restretched canvas, large patch repair lower right, edge ware, craquelure throughout, inpainting to center woman, sky and bottom patch, some paint loss in the shadow of the boat, long vertical line visible to the left of boat

    Estimate: $4000 - $8000

  • Lot 486: Lucius Richard O’Brien (Canadian 1832-1899)

    Lucius Richard O’Brien (Canadian 1832-1899)
    Study of Rocks and a Stream in the Forest
    Oil on board in ornate gilt frame
    Signed lower left R.O’brien
    9″ x 13″
    Provenance: Goupil and Co. Printsellers, publishers, Artist’s color men
    Condition: presents well, the thin board is bowed creating an upward convergence of paint flaking, little to no inpainting visible, some edge ware, surface grime, craquelure

    Estimate: $500 - $1000

  • Lot 487: American School (19th Century)

    American School (19th Century)
    Naval Battle between U.S.S. Essex and H.M.S Alert, August 13, 1812
    Depicting the American and British warships at sea in the early morning
    Oil on canvas laid on board
    9″ x 12″
    Literature: Appraised by Joseph Carvalho III, president of the Springfield Library and Museum Association, 1997
    Condition: presents well, heavy varnish, craquelure throughout, edge ware, inpainting concentrating on horizontal craquelure lines to left border, some loss upper right corner

    Estimate: $300 - $500

  • Lot 488: John George Brown (American 1831-1913)

    John George Brown (American 1831-1913)
    “Shoeshine Boy with Dog”
    Oil on canvas
    Signed lower right Copyright J.G. Brown N.A.
    24″ x 17″
    Provenance: Sotheby’s, New York, May 24, 1989, lot 42 ($9,900)
    Condition: piece presents very well, restretched and relined canvas, repair to center left right below the dog, inpainting can be seen

    Estimate: $6000 - $10000

  • Lot 489: Henry Ward Ranger (American 1858-1915)

    Henry Ward Ranger (American 1858-1915)
    “Somber Harmony” (Autumn Landscape) 1901
    Oil on canvas
    Signed and dated lower left “H.W. Ranger 1901″
    10″ x 12”
    Provenance:Estate from Old Lyme, Connecticut,
    Nadeau’s Auction Gallery Jan. 1, 2018, lot 405 ($3600)
    Condition: very good condition overall, some surface grime, possible edge ware, heavy varnish, possible inpainting

    Estimate: $1000 - $2000

  • Lot 490: Harry Leslie Hoffman (American 1871- 1964)

    Harry Leslie Hoffman (American 1871- 1964)
    “Autumn”
    Oil on panel
    Estate stamp verso
    8″ x 10″
    Provenance: Estate from Old Lyme, Connecticut,
    Christie’s New York, “East”, Nov. 28,
    1995 ($1,150)
    Condition: very good condition, thick impasto paint, possible edge ware

    Estimate: $300 - $500

  • Lot 491: Chauncey Foster Ryder (American 1868-1949)

    Chauncey Foster Ryder (American 1868-1949)
    “Trees on a Hill”, circa 1916
    Oil on board
    Signed lower right “Chauncey F. Ryder”
    6 1/2″ x 8 3/4″
    Provenance: Estate from Old Lyme, Connecticut,
    Florence Lewison Gallery
    Condition: very good condition overall, some surface grime, possible edge ware

    Estimate: $500 - $1000

  • Lot 492: Edward Gregory Smith (American 1880-1961)

    Edward Gregory Smith (American 1880-1961)
    “Smith Neck”
    Oil on canvas
    Signed lower right “Gregory Smith”
    8″ x 10″
    Provenance: Estate from Old Lyme, Connecticut,
    The Cooley Gallery, Old Lyme CT
    Condition: very good condition, thick impasto paint, possible edge ware

    Estimate: $300 - $500

  • Lot 493: Lydia Eastwick Longacre (American 1870-1951)

    Lydia Eastwick Longacre (American 1870-1951)
    “October Sunlight Lyme” 1916
    Oil on canvas
    Signed and dated lower right “Lydia Longacre
    1916″
    7 1/2″ x 9 3/4”
    Provenance: The William Benton Museum of Art,
    1993 and the Lyme Art Association, Old Lyme
    Connecticut
    Provenance: Estate from Old Lyme, Connecticut
    Condition: piece presents well, craquelure throughout, edge ware, inpainting marks mostly to sky

    Estimate: $300 - $500

  • Lot 494: James Goodwin McManus (American 1882-1958)

    James Goodwin McManus (American 1882-1958)
    “A Day in June” Hilltop Oaks Lyme, 1928
    Oil on masonite
    Signed lower left “James Goodwin McManus”
    singed, titled plated verso
    8″ x 10″
    Provenance:Estate from Old Lyme, Connecticut,
    Salmagord; Club Thumb-Box
    Exhibition, original price ($35)
    Condition: piece presents well, craquelure throughout, horizontal craquelure lines to sky, inpainting marks to sky

    Estimate: $200 - $400

  • Lot 495: George Matthew Bruestle (American 1871-1939)

    George Matthew Bruestle (American 1871-1939)
    “September”
    Oil on panel
    Signed lower left “Bruestle” signed and titled verso
    “September, Geo. M. Bruestle”
    old museum label verso original price ($80)
    7 1/2″ x 9 3/4″
    Provenance: Estate from Old Lyme, Connecticut
    Condition: piece presents well, craquelure throughout, small inpainting marks to center

    Estimate: $300 - $500

  • Lot 496: Charles Vezin (American 1858-1942)

    Charles Vezin (American 1858-1942)
    “Gray Twilight” NY Cityscape Scene, 1937
    Oil on board
    Signed lower left “Vezin” signed title and dated on
    verso
    8″ x 10″
    Provenance: Estate from Old Lyme, Connecticut,
    The William Benton Museum of Art,
    exhibited 1993
    Condition: piece presents well, craquelure throughout, small inpainting marks to center

    Estimate: $500 - $1000

  • Lot 497: George Matthew Bruestle (American 1871-1939)

    George Matthew Bruestle (American 1871-1939)
    “Autumn Morning”
    Oil on wood panel
    Signed lower right “Bruestle”, signed and title on
    verso
    8″ x 10″
    Provenance: Estate from Old Lyme, Connecticut
    Condition: piece presents well, some craquelure throughout, small inpainting mark upper right

    Estimate: $1000 - $2000

  • Lot 498: Nina Maguire (American B.1933)

    Nina Maguire (American B.1933)
    “New York City Street in Winter”
    Acrylic on paper
    Signed lower right Nina Maguire
    9″ x 10 1/2″
    Provenance: The Green Art Gallery, Guilford, CT, April 2, 1993 ($750)
    Condition: overall good condition, framed under glass

    Estimate: $400 - $800

  • Lot 499: Nina Maguire (American B.1933)

    Nina Maguire (American B.1933)
    “Park Bench”
    Acrylic on board
    Signed lower right Nina Maguire
    11″ x 11″
    Provenance: The Green Art Gallery, Guilford, CT, September 9, 1995 ($1325)
    Condition: overall good condition

    Estimate: $500 - $1000

  • Lot 500: Eugene Louis Boudin (French 1824-1898)

    Eugene Louis Boudin (French 1824-1898)
    “Port de Trouville” circa 1880-85
    Harbor scene with sailboats and figures at the water’s edge
    Oil on panel
    Signed lower right E.Boudin
    8 1/4″ x 10 1/2″
    Provenance: Salander-O’Reilly Galleries, Inc. New York, Exhibited: Barnard Collects The Educated Eye Sept. 28 – Oct. 31,1989
    Mrs. Francis H. Burr, Beverly, MA
    Condition: very good condition, subtle inpainting concentrating in sky, some edge ware

    Estimate: $40000 - $70000

  • Lot 501: Edward Brian Seago (British 1910-1974)

    Edward Brian Seago (British 1910-1974)
    “The River Bure, 2nd Aug. 1953″
    Oil on canvas
    Signed lower left Edward Seago, titled and dated verso
    19 1/4″ x 25”
    Condition: overall good condition, painted varnish visible under black light, inpainting lower right, craquelure

    Estimate: $20000 - $30000

  • Lot 502: Eugene Louis Boudin (French 1824-1898)

    Eugene Louis Boudin (French 1824-1898)
    Two Fishing Boats at Sea (Barques de Pêcheurs)
    Watercolor, graphite on paper
    Signed and inscribed lower left E.Boudin, museum stamp lower right Lille Musee
    5″ x 11″
    Provenance: From Collection of Steven and Paula Schimmel Woodstock, Connecticut
    Condition: overall good condition, some undulation to paper from watercolor, some staining in the sky

    Estimate: $2000 - $4000

  • Lot 503: Peter Poskas (American B.1939)

    Peter Poskas (American B.1939)
    “Heavy Snow, Evening Clearing, Parmelee Farm”, 1994
    Oil on panel
    Signed lower left Poskas
    12″ x 19 1/4″
    Provenance: Schmidt, Bingham Gallery, 41 East 57 St, New York
    Condition: overall good condition, some edge ware, a few scuffs to board

    Estimate: $2000 - $4000

  • Lot 504: Ten: Eliot Porter (American 1901-1990) from “Intimate Landscapes” Suite

    Ten: Eliot Porter (American 1901-1990) from “Intimate Landscapes” Suite
    “River Edge at Sunset, below Piute Rapids, San Juan Rover, Colorado, May 24, 1962”
    “Stones and cracked mud, Black Place, New Mexico, June 9, 1977”
    “Frostbitten Apples, Tesque, New Mexico, November 21, 1966”
    “Rock Eroded Stream Bed, Coyote Gulch, Utah, August 14, 1971”
    “Colorful Trees, Newfound Gap Road, Great Smoky Mountains National Park, Tennessee, October 1967”
    “Columbine Leaves. Great Spruce Head Island, Maine. July 27, 1974”
    “Redbud Trees in Bottomland. Near Red River Gorge, Kentucky. April 17, 1968”
    “Shadbush, Near Hillsborough, New Hampshire. April 28, 1957”
    “Trunks of Maple and Birch with Oak Leaves, Passaconaway Road, New Hampshire. October 7, 1956”
    “Foxtail Grass. Lake City, Colorado. August, 1957″
    Dye transfer print
    Each signed lower right Eliot Porter
    13″ x 10 1/2” each
    Provenance: Stroock & Stroock & Lavan
    Condition: overall good condition

    Estimate: $3000 - $5000

  • Lot 505: Two: Lucy Bakewell Audubon (British 1787-1874) and John James Audubon (French/American 1785-1851)

    Two: Lucy Bakewell Audubon (British 1787-1874) and John James Audubon (French/American 1785-1851)
    “Yellow Bellied Woodpecker” No.38, plate CXC
    Aquatint engraving with original hand color
    Published: London, Robert Havell, 1829
    19″ x 12″ plate size, 25″ x 18″ sheet size
    “Swamp Sparrow” No.15, plate 64
    Aquatint engraving with original hand color
    Published: London, Robert Havell, 1829
    19″ x 12″ plate size, 25″ x 18″ sheet size
    Provenance: Provenance: A collection from East 80th Street, New York, New York,
    Kennedy Galleries, Inc. Fifth Avenue, New York
    Letter from the president of The American Museum of Natural History, dated 1957
    Literature: “Audubon, The Naturalist” by Francis H. Herrick, “On the drawing of the Swamp Sparrow,Audubon wrote…Mr. Havell will please have Lucy Audubon’s name on the plate instead of mine!!”
    Condition:some wrinkling and undulation paper, paper yellowing due to age small repair to paper lower right on Swamp Sparrow, Woodpecker has more foxing and sun fading

    Estimate: $2000 - $4000

  • Lot 506: Two: John James Audubon (French/American 1785-1851)

    Two: John James Audubon (French/American 1785-1851)
    “Painted Bunting” No.11, plate 53
    Aquatint engraving with original hand color
    Published: London, Robert Havell, circa 1830
    19″ x 12″ plate size, 25″ x 18″ sheet size
    ‘Indigo Bird” No.15, plate 74
    Aquatint engraving with original hand color
    Published: London, Robert Havell, circa 1830
    19″ x 12″ plate size, 25″ x 18″ sheet size
    Provenance: Provenance: A collection from East 80th Street, New York, New York,
    Kennedy Galleries, Inc. Fifth Avenue, New York
    Condition: some wrinkling and undulation paper, paper yellowing due to age, some foxing and sun fading

    Estimate: $2000 - $4000

  • Lot 507: Two: John James Audubon (French/American 1785-1851)

    Two: John James Audubon (French/American 1785-1851)
    “American Redstart” No.8, plate 40
    Aquatint engraving with original hand color
    Published: London, Robert Havell, circa 1830
    19″ x 12″ plate size, 25″ x 18″ sheet size
    “Autumnal Warbler” No.18, plate 88
    Aquatint engraving with original hand color
    Published: London, Robert Havell, circa 1830
    19″ x 12″ plate size, 25″ x 18″ sheet size
    Provenance: Provenance: A collection from East 80th Street, New York, New York,
    Kennedy Galleries, Inc. Fifth Avenue, New York
    Condition: some wrinkling and undulation paper, paper yellowing due to age, some foxing and sun fading

    Estimate: $2000 - $4000

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